At Tate Britain
Rosemary Hill: Aubrey Beardsley, 24 September 2020
“... closed, across the waving arms and fiddle heads in the orchestra pit towards the bright yellow light of the stage. Posters on this scale were new, made possible by developments in colour lithography, and for Beardsley they were another way out of the illustrator’s dilemma. In such big advertisements the image had to be dominant. Text was merely for ... ”