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Does one flare or cling?

Alice Spawls, 5 May 2016

‘Vogue’ 100: A Century of Style 
by Robin Muir.
National Portrait Gallery, 304 pp., £40, February 2016, 978 1 85514 561 0
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‘Vogue’ 100: A Century of Style 
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... and ephemeral’. Withers, like Todd, was more interested in writers and artists than clothes: Dylan Thomas, Kingsley Amis, Bertrand Russell and Simone de Beauvoir all wrote for Vogue under her editorship and she ran features on Gore Vidal, Isherwood, Bacon, Freud and Matisse. She employed Elizabeth David to write on food. And she was a socialist. Her ...

Distraction v. Attraction

Barbara Everett: Ashbery, Larkin and Eliot, 27 June 2002

... turned away from his earlier uncertain styles, which were close enough to Auden and Yeats and Dylan Thomas to be called vaguely Modernist, even faintly distractive. The speech he found was in direct contrast: a weighty, easy and conversable social intimacy, occasionally spoken of later by critics in terms of the British bar parlour. And ...
... aid I would hardly be a human being.’ He asked Cyril Connolly never again to invite him to meet Dylan Thomas. ‘He’s exactly what I would have been if I had not been a Catholic.’ He would ask his friends how it was possible for him to deny the existence of evil in the world when there was so much evil in himself. His self-hatred was deadly. He ...

Short Cuts

Jeremy Harding: ‘Inside the Dream Palace’, 6 February 2014

... appearance in Tippins’s book, starting with William Dean Howells and Stephen Crane, up through Thomas Wolfe, and on to anyone you care to name, sliding to an elegant halt with Joseph O’Neill, author of Netherland. Largely it’s the names, not the work. You almost get the impression that Arthur Miller might have written After the Fall there, but it was ...

Half-Fox

Seamus Perry: Ted Hughes, 29 August 2013

Poet and Critic: The Letters of Ted Hughes and Keith Sagar 
edited by Keith Sagar.
British Library, 340 pp., £25, May 2013, 978 0 7123 5862 0
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Ted and I: A Brother’s Memoir 
by Gerald Hughes.
Robson, 240 pp., £16.99, October 2012, 978 1 84954 389 7
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... delights to be found in Roger Lonsdale’s New Oxford Book of 18th-Century Verse is a squib by Thomas Holcroft, provoked by some disparaging remarks Voltaire made about Shakespeare. In fact, Voltaire was perfectly ready to concede that Shakespeare was possessed of real genius, though of a rough and ready kind, but in denying that he had ‘so much as a ...

Diary

Mark Ford: Love and Theft, 2 December 2004

... that follow were indeed first spoken by Democritus. In his 1989 book on plagiarism, Stolen Words, Thomas Mallon excoriated the academic special pleading that elevated Sterne and Coleridge from literary shoplifters into masters of bricolage and intertextuality. Their cases are analysed along with that of the Victorian novelist Charles Reade, and the American ...

Come and Stay

Arnold Rattenbury, 27 November 1997

England and the Octopus 
by Clough Williams-Ellis.
CPRE, 220 pp., £10.95, December 1996, 0 946044 50 3
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Clough Williams-Ellis: RIBA Drawings Monograph No 2 
by Richard Haslam.
Academy, 112 pp., £24.95, March 1996, 1 85490 430 2
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Clough Williams-Ellis: The Architect of Portmeirion 
by Jonah Jones.
Seren, 204 pp., £9.95, December 1996, 1 85411 166 3
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... meandered Forward from Liberalism, crabwise; Sybil Thorndike joined the board of the Daily Worker; Dylan Thomas insisted that his ‘Ceremony after a Fire Raid’ must first appear as part of a socialist Mayday feature in 1944. Doris Lessing, so she now claims, grew hysterical; Clough, who briefly belonged to Jimmy Maxton’s Independent Labour ...

At the Staatsgalerie

Thomas Meaney: George Grosz, 16 February 2023

... was Grosz ‘driven by a need to capture the exploitation of the proletariat on paper’. Like Bob Dylan, Buruma writes, Grosz moved quickly from being a protest artist to a ‘song and dance man’. In his little book on Grosz, Mario Vargas Llosa similarly claims him for liberalism. Like Orwell, Llosa writes, he ‘was not a social artist … Grosz’s work ...

Horrors and Hidden Money

D.A.N. Jones, 6 February 1986

Jackdaw Cake: ‘An Autobiography’ 
by Norman Lewis.
Hamish Hamilton, 214 pp., £9.95, September 1985, 0 241 11689 9
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... book, about his childhood, are written in a strain of hyperbole, sometimes as pleasingly Welsh as Dylan or Gwyn Thomas. Before we reach the third section, about his pre-war adventures among Arabs, Cubans and Sicilians, we have been astonished by his weird boyhood in Carmarthen and Enfield, where his experiences seem ...

Some Names for Robert Lowell

Karl Miller, 19 May 1983

Robert Lowell: A Biography 
by Ian Hamilton.
Faber, 527 pp., £12.50, May 1983, 0 571 13045 3
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... by helping to form Lowell, by helping him to find a movement for his verse once the Hopkins and Dylan Thomas influences had subsided. Frost’s dualistic prosody – with its tension between metrical regularity and the emphases of the speaking voice – was meant to impart to poems ‘the sound of sense’. This sound is heard again in Lowell: the iamb ...

Apocalypse Now and Then

Frank Kermode, 25 October 1979

The Second Coming: Popular Millenarianism 1780-1850 
by J.F.C. Harrison.
Routledge, 277 pp., £9.95
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... Thanks to​ the work of Norman Cohn, Christopher Hill, Eric Hobsbawm, Keith Thomas and others, we have, over the past few years, acquired a lot of information about millenarianism as a social and historical force. The belief that the end is nigh, or that a new series of times is about to begin, is very ancient, but it is also modern ...

Settings

Ronald Blythe, 24 January 1980

A Writer’s Britain: Landscape in Literature 
by Margaret Drabble.
Thames and Hudson, 133 pp., £10.50, October 1980, 0 500 01219 9
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... at all. And she is good at describing that great tradition of our literature, from Caedman to R.S. Thomas, which transforms the parochial into the universal. A highly literate Church has not limited itself to the Word, but has scribbled its brilliant way into drama, poetry, science and fiction. Miss Drabble’s map is sign-posted all over with cloisters and ...

Philistines

Barbara Everett, 2 April 1987

... has battened off Brydan, an ambiguously-gifted Welsh poet with something of the mythic status of Dylan Thomas; now there is nothing in his work but second-rate Brydan: ‘If I say it’s too much like Brydan I mean not just Brydan himself but a whole way of writing, and I suppose thinking, that concentrates on the writer and draws attention to the ...

A Calamitous Man

Patrick Collinson: Incombustible Luther, 29 July 1999

Martin Luther: The Christian Between God and Death 
by Richard Marius.
Harvard, 542 pp., £19.95, March 1999, 0 674 55090 0
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... both famous and infamous, and famous not for a few minutes but for ever. Three centuries later, Thomas Carlyle will write that but for you there would have been no French Revolution, no America. This is what happened not in a dream but metaphorically to Martin Luther, a hitherto obscure monk and professor of theology in an undistinguished university ...

Going Electric

Patrick McGuinness: J.H. Prynne, 7 September 2000

Poems 
by J.H. Prynne.
Bloodaxe/Folio/Fremantle Arts Centre, 440 pp., £25, March 2000, 1 85224 491 7
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Pearls that Were 
by J.H. Prynne.
Equipage, 28 pp., £4, March 1999, 1 900968 95 9
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Triodes 
by J.H. Prynne.
Barque, 42 pp., £4, December 1999, 9781903488010
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Other: British and Irish Poetry since 1970 
edited by Richard Caddel and Peter Quartermain.
Wesleyan, 280 pp., $45, March 1999, 0 8195 2241 4
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... some, all this exposure, combined with a move to a ‘mainstream’ publisher, has been like Bob Dylan going electric, but it represents an opportunity for the most radically innovative poet now writing to extend his readership. Prynne has been compared with John Ashbery, but there is little of Ashbery’s canny slackness of tone or perspective. The ...

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