Phillip Knightley, 8 July 1993
After the break-up of the Soviet Union, the KGB began to make approaches to the Western media, offering its collaboration on various spy stories. The most ambitious was a television documentary series on the history of the KGB. The bait was tempting: within its archives the KGB claimed to have film of some of its operations dating back to the Twenties and, for later periods, voluminous video recordings that included surveillance of suspects, interrogations and confessions. Thirteen one-hour programmes on the lines of the famous World at War series did not seem too ambitious. In 1990 I had a telephone call from a London producer who said he was about to fly to Moscow to sign with the KGB. Would I consider being a consultant? I urged caution but he assured me that in his contract he would insist on complete editorial control. He announced his deal in the Western press a few weeks later. Soon afterwards, an Italian documentary company revealed that it, too, had signed to make a TV series based on the KGB files. This was followed by a Japanese company and then, finally, Hollywood. All believed that they had exclusive rights.