Peter Wollen

Peter Wollen teaches at UCLA.

Letter
In his angry letter, Robert Storr (Letters, 21 June) takes issue with being described as editor rather than author of Gerhard Richter: ‘October 18, 1977’. This error was introduced by the LRB. Storr points out that roughly half his book is given over to the rise and fall of the Baader-Meinhof Group and the other half to Richter’s paintings and the aesthetic problems they raise. The same is true...
Letter

Say hello to Rodney

17 February 2000

I'm sorry – I didn't mean to imply, in my piece on kitsch, that Dave Hickey was Clement Greenberg's heir, as his letter presumes (Letters, 30 March). In fact, it was Michael Fried whom I thought of as the heir and consequently I was struck by the paradox of Hickey subsequently making use of Fried's work to inflate the reputation of Greenberg's particular bête noire, Norman Rockwell. On further reflection,...
Letter

Stalin at the Movies

25 November 1999

Mike Eaude (Letters, 6 January) takes me to task for my remarks on the relationships between Andres Nin, Victor Serge and Trotsky. Eaude writes that ‘Trotsky was totally on Nin’s side’: in fact, Trotsky repeatedly criticised Nin, then leader of the POUM, throughout the months prior to his murder by Stalin’s agents in 1937. For example, in January of that year, Serge wrote to Lev Sedov, regretting...
Letter

Gentle Questions

6 April 1995

Peter Wollen writes: My review covered themes and areas James King scarcely touches on. There is no mention of Raymond Williams in his book or his bibliography, no mention of Diaghilev or Poiret or Carpenter or The Making of Americans. Harriet Weaver is characterised simply as a ‘devoted admirer’ of Joyce, and Rupert Brooke flits through a few breathless pages alongside a host of other friends,...

Vehicles of Dissatisfaction: Men and Motors

Jonathan Dollimore, 24 July 2003

Gridlock is a great leveller. It immobilises the fastest roadster as surely as the slowest truck. It reminds us that the car is an indispensable part of what we are, but also a threat to us....

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Mad Monk: not going to the movies

Jenny Diski, 6 February 2003

I think it is two years since I’ve been to the cinema. This is something of a mystery to me, like love gone wrong: in fact, it is love gone wrong. Was the love misguided in the first place,...

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The names of the actors appear briefly on a dark screen. We hear the sound of a car on a road. A title reads: ‘This film is based on a true story.’ Then we see a large American car...

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Many Andies

Andrew O’Hagan, 16 October 1997

All his life Andy Warhol looked like death. He came into the world that way: blank, rheumy-eyed, sick as the day was long. An unmerry child with St Vitus’ Dance, the young Warhol lay...

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From Plato to Nato

Christopher Norris, 7 July 1983

Eagleton’s book is both a primer and a postmortem. It surveys the varieties of recent and present-day literary theory, only to suggest – in its closing chapter – that they had...

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