Basement Beats: J Dilla’s Rhythms
Francis Gooding, 20 October 2022
Lacing up a Steenbeck editing desk to watch a reel of 35mm film is a delicate process. With the reel placed flat on the left-hand friction plate, you thread the filmstrip carefully around a pinball-like maze of rollers and sprockets. Arms clack into place, holding the strip in front of the bulb while a mirrored prism reflects the illuminated image onto the small viewing screen....