A shifting array of hundreds of reproductions showing the art and architecture of two millennia, carefully selected and arranged without regard for orthodox historical conventions, Aby Warburg’s monumental, lost Bilderatlas Mnemosyne (‘Picture Atlas of Memory’) was intended to reveal a secret visual history that charted the development of ancient cosmological iconography, its seeming disappearance in late antiquity and recrudescence in the Renaissance and afterwards. Edward George’s exhibition Black Atlas, at the Warburg Institute until the end of January 2026, operates in the tradition of the Bilderatlas.





