Bridget Alsdorf

Bridget Alsdorf teaches at Princeton. Her next book will be Gawkers: Art and Audience in Late 19th-Century France.

No flourish was too much: Out-Tissoted

Bridget Alsdorf, 13 August 2020

In Martin Scorsese​’s film adaptation of The Age of Innocence, facsimiles of James Tissot’s paintings hang on the walls of the Beauforts’ Gilded Age mansion, the setting for the annual Opera Ball, where New York plutocrats dance with women in Tissot-inspired dresses. An oversized replica of Too Early (1873) shows the sniggering that meets a group of early arrivals at a...

At the Royal Academy: Félix Vallotton

Bridget Alsdorf, 26 September 2019

In​ 1897 or 1898, Edouard Vuillard gave Félix Vallotton one of his most important paintings. Vuillard’s Large Interior with Six Figures appears in two of Vallotton’s paintings, hanging on the wall and reflected in a mirror. It is quintessential early Vuillard: an intimate world ruled by women, jigsawed into place by wallpaper, curtains and rugs, any anxiety or conflict...

High Anxiety: Fantin-Latour

Julian Barnes, 11 April 2013

Thirty-four men, 20 of them standing, 14 sitting, spread across four paintings and 21 years. Almost all are sombrely dressed, in the black frock coat worn by bourgeois and artist alike in the...

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