Alice Spawls

Alice Spawls is co-editor of the LRB.

On the Road

Alice Spawls, 8 February 2018

If​ you cycle into Central London every day you see a lot of road: tarmac, grit, paving stone, cobble; the skin of the city. Cyclists are supposed to look ahead, and I try to, but as a child I mostly looked at my shoes and now I find I look at the road. The ground beneath our wheels is noisy, full of instruction, and the roads have their own language, even their own typography....

If It Weren’t for Charlotte: The Brontës

Alice Spawls, 16 November 2017

I should make the first of what I hope need be only a few confessions. We are in the business of history, but also of opinion, of trying to read the characters of the dead. I am not a 19th-century scholar, a Brontë expert, a Brontë fan even. A year ago, I was not interested in Charlotte, or her mysterious sisters or feckless brother, or their eccentric father, and I was certainly not interested in her charming publisher or her upright critics. I was not interested in hearing what the Brontës were, what they have become, or what they were definitely, almost certainly, assuredly, not. I did not want to visit Haworth.

At Dulwich: Vanessa Bell

Alice Spawls, 18 May 2017

It​ seems to be a foregone conclusion that Vanessa Bell isn’t much good. There are those devoted types, of course, for whom the sensibility of her paintings, as well as their subjects, makes them windows into a beloved world. But perhaps they are seeing something more than this. If so, it shouldn’t be surprising; they have been looking the longest. The current retrospective of...

The photographer​ Sally Mann tells a story about being at a dinner party with Cy Twombly – the two were friends from their hometown of Lexington, Virginia. ‘He was writing directions for somebody – how to get to the antique mall or something – and he wrote them and the guy said, “Oh yes, I know where that is,” and they left them on the table, and I swear...

From The Blog
23 February 2017

The Zabludowicz Collection in Kentish Town is housed in a former Methodist chapel. The building became home to the London Drama School in 1963 – they were the first in Britain to use Stanislavsky’s system – and remained so until 2004. Ten years ago it opened as a gallery, showing works from the collection of the Finnish-British millionaire Poju Zabludowicz (his private investment company owns, among other things, half of downtown Las Vegas; he’s also a major Tory Party donor) and his wife, Anita. A former acting school seems like an appropriate venue for their current exhibition, One & Other, curated by a group of MA students, which is concerned with personas and performance (it closes on Sunday).

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