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“... grandmother, at Sailing Club. The European. Indifferent TV. Saturday 12: – Letter from Simon Callow, at last – Supermarket – Cowes. Ian Gibson’s Assassination of F.G. Lorca from library (rather disappointing). – Picked up Humphrey Carpenter’s Ezra Pound: A Serious Character unexpectedly. – Dull TV. Sunday 13: – Had made apricot ...”

“... lounge.) In addition to all this, there is an apparently unending succession of books, of which Simon Callow’s ongoing biography is the most monumental, now two volumes in and not even arrived at The Third Man, the 1949 movie that made Welles a myth. Callow’s second volume, Hello Americans, is named after the ...”

“... of his life Orson Welles weighed 350 pounds. His appetite, though, was not a late development. In Simon Callow’s biography the composer Virgil Thomson reports the 22-year-old actor-director devouring ‘oysters and champagne, red meat and burgundy, dessert and brandy’ immediately before squeezing into a canvas corset to play Brutus in Julius ...”

“... She sounds like a hammy male actor in late middle age – perhaps Christopher Lee in his prime, or Simon Callow. She is Gin Rathbone, and she introduces herself with these fine words: ‘I am a tall, thin, untidy Englishwoman, I drink too much and yes, I suppose I am rather – oh, detached – distant, aloof – snobbish, even, I have been called all ...”

“... some portraits – reproduced in full colour – that had been done of Strachey; there’s one by Simon Bussy, drawn in 1904 (the year of Isherwood’s birth); there’s one by Henry Lamb, painted in 1914; there’s one by Dora Carrington from 1916. In Meade’s book, I was most struck by the following passage about a party in Los Angeles. (Parker, in ...”

“... In the 1970s, Corin and Vanessa were prominent members of the Workers Revolutionary Party. Simon Callow described seeing Corin, dressed in a trench coat and sitting at a trestle table under a naked light bulb, shouting that the government was on the point of surrounding Heathrow airport with tanks, as a prelude to a coup. In 1975 the Observer ...”

“... at any time between 1400 and 1800 – our contemplation of Michelangelo, Bernini and Voltaire is callow and impoverished. The Low Puff refers more tactfully to ‘spare’ prose and ‘deft’ strokes, evoking the warbling of the piccolo rather than the swell of the Vox Humana. I should in fairness add that for your £7.50 you get three appendices (one ...”

“... a maddening book to read, and only someone who knows the biographies of Welles by Charles Higham, Simon Callow and others is likely to guess what Conrad is up to and why. Yet he is also writing criticism. Here the difference should matter between a line written as a writer writes and a line spoken as an actor reads. Even in a study like this (a scrambled ...”

“... might have called ‘acting and not-acting’. In a memorable autobiographical study, an actor – Simon Callow – has described the long discipline of learning to act as a ‘re-inventing’ of the physical self, an actual ‘re-birthing’. This is the context from which Falstaff was ‘borne about three of the clock in the afternoon, with a white ...”

“... by Zionists. How I felt is captured by Lenni Brenner’s account, in Jews in America Today* of the callow youth who are heard to say: ‘I wouldn’t be seen dead with those creeps.’ Reading the correspondence Perdition elicited, it came back to me why I felt as I did. In the play, Ruth Kaplan charges Yaron with gross self-interest. She claims that Yaron’s ...”

“... I said. ‘Offences against the person.’ ‘Yes, that sort of lark. Plus I understand young Simon offered her the extra hundred a year.’ ‘Probably luncheon vouchers,’ I said. ‘I shouldn’t wonder.’ ‘Occam’s Razor shaves you closer,’ I said. I had only begun to suspect something when he began multiplying explanations. My foot shot out ...”

“... Where Are You, Alice is wealthier and more accomplished than Felix (though not as robust) and Simon is older and more enamoured of Eileen than she of him (though he hedges his bets more). Each relationship as it blossoms causes the redistribution of popularity, money, energy, knowledge, wit and security, and creates a tiny cell of resistance to the idea ...”

“... Jay McInerney’s breakthrough novel, Bright Lights, Big City, and Morgan Entrekin, the editor at Simon and Schuster who acquired Bret Easton Ellis’s Less than Zero. Lish had the cult cred, but their properties shone the brightest. Gary and Morgan, Morgan and Gary, Jay and Bret, Bret and Jay – how often we heard their names tick-tock together then, the ...”