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“... Shot You sleep as I stumble room to room, unhelmed, heavy-greaved; coming to you through gorse-light and the fallen trees: heraldic, blessed with wounds. Red-handed at the key I was stock-still, gazing back at deer-slots in the snow: flushed, quick from the kill, carrying my shot, my sadness like a stone. In the quarry-hole of your bed you’re sleeping still ...”

“... Law of the Island They lashed him to old timbers that would barely float, with weights at the feet so only his face was out of the water. Over his mouth and eyes they tied two live mackerel with twine, and pushed him out from the rocks. They stood, then, smoking cigarettes and watching the sky, waiting for a gannet to read that flex of silver from a hundred feet up, close its wings and plummet-dive ...”

“... nec enim praesentior illo est deus Asterion, his name is, King of Stars. Some joke of his father’s, who now stables him here in these spiralled halls, this walled-up palace, where shame cries itself to sleep. Where is my mother? Why has she left me here alone? This is a house of many corners but only one room, made of stone. I live inside this stone ...”

“... The sun’s hinge on the burnt horizon has woken the sealed lake, leaving a sleeve of sound. No wind, just curved plates of air re-shaping under the trap-ice, straining to give; the groans and rumbles like someone shifting heavy tables – or something gigantic turning to get comfortable. I snick a stone over the long sprung deck to get the dobro’s glassy note, the crying slide of a bottleneck, its tremulous ululation to the other shore ...”

“... La Stanza delle Mosche The room sizzles in the morning sun. A tinnitus of flies throbs at the bright windows, butting and dunting the glass; one dings off the light, to the floor, vibrating blackly – pittering against the wall before taxi and take-off: another low moaning flight, another fruitless stab at the world outside. They drop on my desk, my hands, and spin their long deaths on their backs on the white tiles, like tiny humming tops that stop and start: badly-wired armatures, or (literally) flywheels, chasing their tails, first one way then the other – fizzling dervishes, whining to be stubbed out ...”

“... The Language of Birds The sides of the hill are stubbed with fire-pits. The sky is paraffin blue. A pigeon’s heart swings here on the kissing-gate, withered, stuck through with pins, while out on the estuary, beaks of birds needle to the wind’s compass, the sky’s protocol. Swans go singing out to sea; the weather is changing cold.                             * In the elm above me, a magpie chuckles and turns the magic wand of itself away, towards the light ...”

“... The God Who Disappears after Nonnus Born to a life of dying, the boy-god’s first death came when he could barely crawl, the budding horns just there, nudged among curls, as he played on the floor with his toys: a knuckle-bone, ball and spinning top, golden apples, a tuft of wool, and on his other side, the thunderbolts of Zeus. They entered the throne-room’s dark, their round faces smeared with chalk into pale moons, and they slid forward, drawing their hungry knives ...”

“... for John Burnside You’d know her house by the drawn blinds – by the cormorants pitched on the boundary wall, the black crosses of their wings hung out to dry. You’d tell it by the quicken and the pine that hid it from the sea and from the brief light of the sun, and by Aonghas the collie, lying at the door where he died: a rack of bones like a sprung trap ...”

“... For Don Paterson Rain works the road; its grey hand passing over and over, in waves: lashing, stotting down. A stour-wind’s in the trees, churning their heads, and the sky’s full of leaves and the sky is raging: it will not subside and will not cease, and will not be consoled. As thunder brings the toads so rain draws worms from the ground, the rapt god to this bedroom window, this house of panic, of closed mouths, a bird trapped in every room ...”

“... The Long Home I hadn’t been back in twenty years and he was still here, by the fire, at the far end of the longest counter in Aberdeen – some say Scotland. Not many in, and my favourite time: the dog-watch; the city still working, its tortoiseshell light just legible in the smoked windows, and through the slow delay of glass the flutter of the streetlights batting into life ...”

“... In this bled landscape wind moves through the desert bones, fluting their white notes. * Wildfires sweep the hills, jump the highways. Outside town fence-posts are burning. * The guns go one way, drugs go the other, over the desert border. * There’s crystal meth, coke, PCP, smack; after that Tipp-Ex, gasoline. * In Juárez tonight three decapitados hang from the Bridge of Dreams ...”

“... The House of Rumour after Ovid At the world’s centre between earth and sky and sea is a place where every sound can be heard, where everything is seen. Here Rumour lives, making her home on a mountain-top. This house stands open night and day: a dome of apertures and windows set like a million eyes at gaze, steady, unblinking, no doors or shutters anywhere ...”

“... spring flowers – marsh marigolds, buttercups, pansies, primroses, silverweed, vetch, ragged-robin, yellow rattle, eyebrights, thrift. It was a false spring, though, that year; the cold held on, deep-rooted in the ground. We walked a lit candle three times round the crib; washed him three times in saltwater, passed him three times over the fire, but saw ...”

“... nec quicquam nisi vulnus erat (Ovid, Metamorphoses, VI, 388) I A bright clearing. Sun among the leaves, sifting down to dapple the soft ground, and rest a gilded bar against the muted flanks of trees. In the flittering green light the glade listens in and breathes. A wooden pail; some pegs, a coil of wire; a bundle of steel flensing knives. Spreadeagled between two pines, hooked at each hoof to the higher branches, tied to the root by the hands, flagged as his own white cross, the satyr Marsyas hangs ...”

“... for Catherine Lockerbie Late January, and the oak still green, the year already wrong. The season miscarried – the lambs in the field, and the blossom blown – the whole year broken before it began, and me standing where winter should have been: a reived man, a man forspoken. A woman’s kiss will lift you all morning. A woman’s curse will grave you to hell ...”