Gleichenstein’s Hat
Robert Simpson, 14 September 1989
“... In contemplating the psychology of a dead artist, referring to the only sure thing we have to go on – his work – can be tricky: we are tempted into making the evidence conform to our theories, Freudian or other. Maynard Solomon recognises this danger, but is not altogether saved from rashness. An example is his chapter on the four dreams that Beethoven happened to describe (very briefly and sketchily) in letters ... ”