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“... As a boy, Robert Duncan had a recurring dream. He would imagine himself in the middle of a treeless field. The ripe grass rippled, though there was no wind, and the light, as he later remembered, ‘was everywhere’, though there was no sun to be seen. Seeing himself in the centre of a circle of children, all of them singing and playing ‘Ring a Ring o’ Roses’, Duncan understood that he was ‘it’: ‘the Chosen One … a “King” or victim of the children’s round dance ...”

“... and Reznikoff, and of course the whole group of poets associated with Black Mountain College – Robert Creeley, Denise Levertov, Ed Dorn, Robert Duncan and Charles Olson. Of all these it was Charles Olson who engaged most directly and continuously with the implications of Pound’s poetics. The Maximus Poems can he ...”

“... care and the cunning of the style’, as he has written of Yeats’s ‘In Memory of Major Robert Gregory’, ‘its very finish’, serves ‘to place all impulsive decisions many drafts anterior to the version we read’. There is a beautiful neutrality, most of the time, in his tone. He gives nothing away. He does not know, just as the reader must ...”

“... called her ‘one of the few people I ever completely loved at first sight’, talked her up to Robert Creeley; Creeley, who spent so much time with Levertov when they were both in Provence that his wife was sure they were having an affair, introduced her to William Carlos Williams; Williams told her that her second collection, Here and Now ...”

“... Logorrhoea:​ Charles Olson, Robert Duncan and Robert Creeley were all afflicted with it. I only ever witnessed Duncan’s performances – free-form, extended, mostly improvised soliloquies. The one I remember best was at the poet Carl Rakosi’s house ...”

“... the Road’ (original typescript, 1951) Jack Kerouac, ‘The Slouch Hat’ (c.1960) John Cohen, ‘Robert Frank, Alfred Leslie, Gregory Corso’ (1959) Wallace Berman, Untitled (Allen Ginsberg, c.1960)PreviousNext These names belong to the original small group of friends who met in New York in the early 1940s. Within ten years Ginsberg had moved to San ...”

“... editor in the early 1960s. It must have seemed strange to read the poetry of Pound, Williams, Robert Duncan, Ian Hamilton Finlay, Robert Creeley and Louis Zukofsky in a right-wing political journal. ‘Don’t worry about the Birch boys,’ Kenner wrote to Davenport in 1961, trying to persuade him to contribute to ...”

“... branch of the ‘identity’ lobby spoke of the new affinity it felt with Californian poets like Robert Duncan. Again, the word ‘geography’ was used: it made geographical sense for Australians to cosy up with San Francisco. To balance the provincial angst, there were also a number of sneering cosmopolitans, but they tended not to sit on ...”

“... to be their best and most enduring. Fulcrum also published two important early collections by Robert Duncan, Allen Ginsberg’s Ankor Wat and, most significantly, two volumes by Lorine Niedecker, North Central and My Life by Water, and George Oppen’s Collected Poetry. Of British poets, apart from Bunting, Montgomery published four collections by ...”

“... space had once been a community art venture called King Ubu, operated by the Black Mountain poet Robert Duncan and his collagist partner Jess Collins. Duncan, removing his clothes at the conclusion of his verse play Faust Foutu, in order to demonstrate the meaning of nakedness, anticipated by a decade or so the ...”

“... writing. She had spent some years in the United States on scholarships, living for a while with Robert Creeley, later with the poet Robert Sward, associating with poets, attending the famous 1965 Berkeley Poetry Conference where she would have heard Charles Olson, Ed Dorn, ...”

“... Scottish Renaissance into the Beatnik era, establishing important transatlantic connections with Robert Creeley, Jonathan Williams, Lorine Niedecker and others. The break-up of his first marriage in 1964 terminated this period of relative stability, initiating the chapter of uncertainty that coincided with his first letters to Stephen Bann. At no stage in ...”

“... of the presiding literary spirits when Brautigan arrived in town would have been Kenneth Rexroth, Robert Duncan and Jack Spicer (to whom Trout Fishing In America is dedicated). Writers such as Ginsberg, Kerouac, Corso, Snyder, Creeley would also have been moving through at this point, but the so-called Beat Scene was not fully fledged, and its principals ...”

“... they were tussling with, A. Alvarez’s The New Poetry (which was tussling with its predecessor, Robert Conquest’s New Lines). ‘This anthology,’ they wrote in their preface to the Penguin Book of Contemporary British Poetry, ‘is intended to be didactic as well as representative.’ Though the things anthologies make happen may be confined to ...”

“... group’s appropriation, protested vigorously, as did an older generation of advocates such as Robert Duncan, whose work was heavily influenced by Zukofsky and who resented what he felt was brazen opportunism and a fundamental misreading of the poetry. There was quite a noisy back and forth for a while – great fun really. Scroggins discusses all ...”