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“... and schoolboys’ comics. Simon Raven’s notorious devotion to that system began when he was only a seven-year-old comic reader, as he admits in The Old School, a loving but mordant survey of the dormitory schools: he went on avidly to Charterhouse and he fancies other men will ...”

“... Aids​ starts with the deaths. With the dying. At first there was only confusion, incomprehension. Bodies that quickly became unintelligible to themselves. Nightsweats, shingles, thrush, diarrhoea, sores that crowded into mouths and made it impossible to eat. A fantastically rare form of pneumonia ...”

“... Between the end of World War One and the Great Depression there occurred in Harlem such a flowering of music, dance, theatre and painting as to change white American perceptions of African American artistic expression. In a little over a decade, more books by black Americans appeared in print than had been published in the entire history of black American writing ...”

“... We may​ think all biopics are biofantasies, in which case the opening title card of Adam McKay’s new film Vice will have us laughing already. After all, he is the former Saturday Night Live writer who made The Big Short, a very funny movie about the 2008 financial crisis. The card says: ‘The following is a true story ...”

“... On​ 3 February 1960, Harold Macmillan ended a four-week tour of the African continent with a speech to the South African parliament in which he described the rise of anticolonial nationalism as the ‘wind of change’. He had tried out the phrase on an audience in Ghana a few weeks earlier, and it was soon taken up as a metaphor for decolonisation: 17 states gained independence in 1960, the ‘year of Africa ...”

“... In Abel Gance’s film Napoleon there is a brilliant sequence in the Revolutionary Bureau of Indictments. The walls are stacked to the ceiling with the files of known, suspected, possible and deeply fanciful enemies of the Revolution; some are bulky, well-researched dossiers, others the constructions of dishonest, mean-spirited score-settlers ...”

“... Cold War was beginning and, like Sartre, Camus and the rest of their circle, she was searching for a third-camp alternative to Stalinism and American imperialism. Beauvoir was drawn to the United States for other reasons, anticipating, as she put it at the beginning of America Day by ...”