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“... outlines last. Thus, while a Lichtenstein might look industrially ready-made, it is actually, as Michael Lobel demonstrates in his careful study, a layering of mechanical reproduction (comic), handwork (drawing), mechanical reproduction again (projector) and handwork again (tracing and painting), to the point where distinctions between hand and machine ...”

“... ancient Greece. May in fact have been referring to me in Wretched Tatty Papyrus Fragment No. 211 (Lobel-Page): Come [Terry?] … cast off your [air-cushioned?] Nikes the [?] nightingale [?] … Sappho of Lesbos has always seemed more phantasm than historical personage, of course: we know so little of her life and have so precious little of her poetry that ...”