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“... At the centre of Michael Cunningham’s new novel, in the second of its three tales, Cat, a black woman police investigator in New York, has the job of receiving and recording the calls of people threatening to blow themselves and others to pieces. Only because these deranged stories have become too familiar does she miss the one who really means it, a young boy, who, without forewarning or apparent motive, goes up to a stranger in Central Park, embraces him and explodes ...”

“... is at work here, even in the best of these five books, Alice Hoffman’s Seventh Heaven and Michael Cunningham’s A Home at the End of the World. Carlo Gebler dissents from this attitude; unfortunately he writes less well. Still, there were times when I warmed to Life of a Drum, lacking though it is in the stylishness and power of Hoffman’s or ...”

“... were accosted by the head of a mission from Moscow. Her offerings included the complete works of Michael Cunningham in Russian. She wouldn’t let us leave without a copy of Sense, a novel by a Chechen called Arslan Khasavov, 24-year-old winner of the Debut Prize. The novel shows ‘the limits to which an indifferent and hypocritical society can push a ...”

“... called the Violet Quill had formed, and its members – Christopher Cox, Robert Ferro, Michael Grumley, Andrew Holleran, Felice Picano, Edmund White and George Whitmore, together with the film critic Vito Russo and the editor and academic George Stambolian – began producing books whose examination of gay life, though often programmatic, was still ...”

“... Fire Station, which somehow afforded top-class teachers from London. Here I was introduced to ‘Cunningham technique’, which was a reaction to Graham and involved lots of standing up. You held your arms like albatross wings and worked the top of the back first, tipping forwards, then sideways, then back. The feet began in parallel and slightly apart. You ...”

“... Faculty in Oxford. In a recent piece in the Oxford Magazine called ‘Reading English’ Valentine Cunningham proposes the abolition of compulsory Old English as part of a reform of the post-Medieval syllabus. Those who think as he does appear to see Old and Modern as implacable rivals, or at least as de rigueur alternatives. It is a spurious logic that makes ...”

“... the Daily Worker or of the Daily Mail’. The Daily Worker’s role in Spain was one of Valentine Cunningham’s targets in the astringent introduction to his earlier anthology The Penguin Book of Spanish Civil War Verse. Cuningham noted the paper’s slavering desire for martyrs and its cynical distortion of facts, and he held up for scorn the posthumous ...”

“... to look for ways of remaining unapologetically gay writers without writing ‘gay novels’. Michael Cunningham won a large readership with The Hours, in which gay lives featured without being allowed to predominate, though his touch seems less sure in his most recent offering, By Nightfall. A narrative about a married man’s brief and inconclusive ...”

“... the psychologically ruined war veteran Septimus Smith. In that novel the two didn’t meet, though Michael Cunningham, refracting the material in The Hours, had his modern-day Clarissa figure care for Richard, his version of Septimus, worn down by the struggle with HIV. The ending, suicide by jumping, was the same in both books.Murphy has set out, in ...”

“... of duality: killing himself and his girl on the banks of the Wannsee in Berlin in November 1911. Cunningham and Jardine have done well to collect together the essays in Romanticism and the Sciences, especially given English intellectual hostility to finding anything coherent in Romanticism, let alone seeing a connection to the history of natural science, or ...”

“... old men. Her exhibition at the National Portrait Gallery was full of them. She visits the elderly Michael Hamburger at his Suffolk farmhouse with her movie camera, zooming in on the wonky doorways, the rotting window frames, the overgrown garden, the teetering piles of books – an old poet’s props. She watches as he inspects his apple orchard, the wind in ...”

“... or a woman is hard to say. In a busily energetic, impressively wide-ranging chapter, Valentine Cunningham lavishes the customary critical praise on her conception of human life as sprawling, contingent and delightfully muddled. This delight in messiness was not in fact confined to her art, as Martin Amis points out in a brief, reprinted piece: in the ...”

“... went one better and procured the body, according to Macintyre, of a down and out Welshman, Glyndwr Michael, a 34-year-old vagrant found dead in January 1943 in an abandoned warehouse. Michael had either intentionally or mistakenly drunk a concoction called Battle’s Vermin Killer, which contained white phosphorus, a toxic ...”

“... as Rafe Ashton in his former wife Hilda Doolittle’s novel Bid Me to Live (1960), and as Robert Cunningham in D.H. Lawrence’s Aaron’s Rod (1922), he may have had the misfortune to furnish the model for Sir Clifford Chatterley. Aldington’s maledictory novel, Death of a Hero, has not worn well. The parents of George, the ‘hero’, are parodic ...”

“... which we have imposed on the period, or by starting to explore its differential codings. Hugh Cunningham demonstrates very effectively that the identification of the Conservative Party with patriotism was never as unproblematic and as beneficial as many have assumed. Promoted by a faction, patriotism became associated with particular policies, and ...”