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“... his own or those of others. His personality, like that of his creations, is of a gaseous nature. Max Beerbohm once wrote a memorable little sketch of a visit to the Sage of Box Hill, and of hearing Meredith’s voice addressing the air as he approached, and recommencing the conversation as he walked away. In mid-century Meredith dazzled his friends and ...”

“... anti-fascist celebrities: Heinrich and Golo Mann, Hannah Arendt, Anna Seghers, Simone Weil, Arthur Koestler, Victor Serge, Walter Benjamin, Franz Werfel and his wife Alma Mahler, Lion Feuchtwanger, Konrad Heiden (Hitler’s first truthful biographer), Marc Chagall, Jacques Lipchitz, Moïse Kisling, the young Claude Lévi-Strauss … A band of ...”

“... life. Others would be too good-mannered to notice things which embarrass Adrian. In the world of Arthur Ransome’s children parents hardly figure as characters. Their role is to establish the absolute security outside the plot which can make the adventures within it seem both realistic and safe. No possible turn of a Ransome story would allow ...”

“... went with it. Yeats first met Beardsley at the launch party for the Savoy, the magazine founded by Arthur Symons and Beardsley after Beardsley had been fired as art editor of the Yellow Book following Wilde’s arrest. It was a brave and defiant attempt to continue the movement, but the journal was suspect from the start – the Savoy, after all, was the hotel ...”

“... the heir to a marquisate who wishes repeatedly that his brainless and hearty younger brother, Arthur, could inherit instead. ‘Sainty’ Belchamber has no taste for games, girls or money; in his new introduction to the novel, Edmund White calls him a ‘sissy’, which is about right, though, oddly, Cissy is the name of the pitiless young woman Sainty is ...”

“... as one of the most distinguished and ambitious products of this upsurge. Colin Wilson and Arthur Koestler should look to their laurels. At the Florence conference contributors showed how the Renaissance revival could be seen as a ‘discovery’ of active popular culture by the ruling class – and also as a manipulation of that culture for direct ...”

“... Mother, Earth Mother or Mother Goddess. Distinguished scholars pioneered the idea, including Sir Arthur Evans, who excavated Knossos, and the Cambridge classicist Jane Harrison, who proposed a prehistoric and peaceful woman-centred civilisation in Greece. The discovery of Palaeolithic ‘Venus figurines’, statuettes with exaggerated breasts and ...”

“... gaol has ever boasted to visitors that his notorious dungeons were chosen as the setting for Arthur Koestler’s Darkness at Noon. But for over thirty years successive generations of BBC producers escorting guests through the labyrinthine corridors of Broadcasting House past doors bearing inscrutably coded designations have cheerfully informed them that ...”

“... his narrative alter ego) travels back to Germany from Norwich to look into the childhood of Max Ferber, an artist based loosely on Frank Auerbach. At 15 Ferber had been sent to England by his parents, who were eventually murdered in the camps at Riga. Sebald finds the silence of the people he encounters weird and unsettling: ‘I felt increasingly that ...”

“... else is known against this great under-achiever? Anne Edwards tells us that he was a crony of Lord Arthur Somerset, who was allowed to flee the country after being involved in a male brothel scandal, and a close friend of his Cambridge tutor, James Kenneth Stephen, a cousin of Virginia Woolf, who fasted to death in an asylum after Eddy died. Is that all the ...”

“... he mastered the tactics of every battle from those of Hannibal to Tsushima and the siege of Port Arthur by the Japanese. He devoured every work on technology he could gel hold of, and confesses that his fascination with the design of field-gun breeches was largely aesthetic. The breech mechanism of the famous French soixante-quinze, however effective, did ...”

“... causes left’? Until the birth of the English Stage Company, the post-war British theatre was, as Arthur Miller has said, ‘hermetically sealed off from life’ – and from the American theatre. When Look Back in Anger was produced Miller had written Death of a Salesman, The Crucible, A View from the Bridge and All My Sons, Tennessee Williams The Glass ...”

“... Austria-Hungary provided equally fertile soil. He draws on the works of the Viennese playwright Arthur Schnitzler more than any other literary source, with the result that recognisably Habsburg types keep wandering into his German narrative. Most of the German codifications he cites also turn out to have been published in Vienna – except when they were ...”

“... for Lucy’s spurnings. ‘The body shook and quivered and twisted in wild contortions … But Arthur never faltered. He looked like a figure of Thor as his untrembling arm rose and fell, driving deeper and deeper the mercy-bearing stake, whilst the blood from the pierced heart welled and spurted up around it.’ ‘The sexual implications of the ...”

“... this.’ When he got the job of literary editor he gave himself the task of reading an essay by Max Beerbohm before breakfast every day. AH: But you were still writing for the TLS all this time? FW: Yes, though I stopped with a thud when Alan Pryce-Jones left and Arthur Crook came. I think I was too associated in his mind ...”