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“... Lynda Nead​ ’s new study of the ways in which postwar Britain was represented by what was not yet called its media is tirelessly oblique. She contrives to see everything through the reductionist lenses of colour and colourlessness. She leans heavily on Raymond Williams’s notion of a ‘structure of feeling’ which supposedly defines the ‘particular and characteristic colour of a period ...”

“... There has been​ more than one revival of interest in the mayfly career of Pauline Boty since her death in 1966 at the age of 28. In accordance with Cecil Beaton’s dictum that it takes slightly longer than 25 years for a cycle of taste to complete and for the merely dated to become historic, it was in 1993 that the Barbican put on The Sixties Art Scene in London, which featured several of her paintings ...”