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In a Bookshop

Peter Campbell: Penguin by Illustrators, 10 September 2009

... Barnett Freedman’s lithographs are memorable, as are the pen drawings of Edward Ardizzone and Leonard Baskin. In general it is strength, not subtlety, that marks Faber’s covers up to 1975, when Wolpe retired. Later the design group Pentagram took on the job of branding Faber (it was they who introduced the ff logo) and cool, neat inventiveness took ...

War and Pax

Claude Rawson, 2 July 1981

War Music. An Account of Books 16 to 19 of Homer’s ‘Iliad’ 
by Christopher Logue.
Cape, 83 pp., £3.95, May 1981, 0 224 01534 6
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Ode to the Dodo. Poems from 1953 to 1978 
by Christopher Logue.
Cape, 176 pp., £6.95, May 1981, 0 224 01892 2
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Under the North Star 
by Ted Hughes and Leonard Baskin.
Faber, 47 pp., £5.95, April 1981, 9780571117215
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Ted Hughes: The Unaccommodated Universe 
by Ekbert Faas.
Black Swallow Press, 229 pp., June 1983, 0 87685 459 5
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Myth in the Poetry of Ted Hughes 
by Stuart Hirschberg.
Wolfhound, 239 pp., £8.50, April 1981, 0 905473 50 7
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Ted Hughes: A Critical Study 
by Terry Gifford and Neil Roberts.
Faber, 288 pp., £9.50, April 1981, 0 571 11701 5
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... In Hughes’s latest children’s collection, Under the North Star (delightfully illustrated by Leonard Baskin, the artist of Crow and Cave Birds), there are poems where animal energies or a human death involve similar interstellar trips of the mind, similarly realised with the easy plasticity of an animated cartoon: the puma climbing her screech’s ...

Diary

Eric Korn: The Eye of the Traveller, 19 February 1987

... damply uncomfortable locations around New York City: it became something very different when Leonard Baskin chose to illustrate it. Baskin’s birds are ancient icons, drooping out of the trees under the weight of symbol and association, like political generals under the weight of their medals. Maslow must have ...

Half-Fox

Seamus Perry: Ted Hughes, 29 August 2013

Poet and Critic: The Letters of Ted Hughes and Keith Sagar 
edited by Keith Sagar.
British Library, 340 pp., £25, May 2013, 978 0 7123 5862 0
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Ted and I: A Brother’s Memoir 
by Gerald Hughes.
Robson, 240 pp., £16.99, October 2012, 978 1 84954 389 7
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... people like them or not, they are my masterpiece,’ Hughes wrote to the artist Leonard Baskin, whose fierce crow pictures had inspired the sequence in the first place, adding characteristically, ‘insofar as I can manage the likeness of a masterpiece’. I think he’s right, but that isn’t to say that there aren’t things by ...

Entrepreneurship

Tom Paulin: Ted Hughes and the Hare, 29 November 2007

Letters of Ted Hughes 
edited by Christopher Reid.
Faber, 756 pp., £30, November 2007, 978 0 571 22138 7
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... Larkin must have refused the laureateship (he later realised Larkin wasn’t asked), he writes to Leonard and Lisa Baskin that ‘his general all-purpose No seems to me not so admirable, & there were attractions in turning mightily to my advantage what he’d shied from.’ Again we see his canniness. Learning that Larkin ...

The New Narrative

John Kerrigan, 16 February 1984

The Oxford Book of Narrative Verse 
edited by Iona Opie and Peter Opie.
Oxford, 407 pp., £8.95, September 1983, 0 19 214131 7
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Time’s Oriel 
by Kevin Crossley-Holland.
Hutchinson, 61 pp., £4.95, August 1983, 0 09 153291 4
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On Gender and Writing 
edited by Michelene Wandor.
Pandora, 166 pp., £3.95, September 1983, 0 86358 021 1
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Stone, Paper, Knife 
by Marge Piercy.
Pandora, 144 pp., £3.95, September 1983, 9780863580222
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The Achievement of Ted Hughes 
edited by Keith Sagar.
Manchester, 377 pp., £27.50, March 1983, 0 7190 0939 1
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Ted Hughes and Paul Muldoon 
Faber, £6.95, June 1983, 0 571 13090 9Show More
River 
by Ted Hughes and Peter Keen.
Faber, 128 pp., £10, September 1983, 0 571 13088 7
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Quoof 
by Paul Muldoon.
Faber, 64 pp., £4, September 1983, 0 571 13117 4
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... the composition of Cave Birds, that is, we can see Hughes moving, through a kind of dialogue with Leonard Baskin’s drawings, away from the book’s mythic paradigm towards a poetry more contingent and humane. The earliest texts in Cave Birds belong to the ‘alchemical drama’ of Hughes’s subtitle, while the later and frequently better poems ...

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