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“... Diego Rivera’s The Marriage of the Artistic Expression of the North and of the South on this Continent was painted in front of an audience at the Golden Gate International Exposition, on San Francisco’s Treasure Island, during the summer of 1940. It was Rivera’s last mural in the US and remains one of his most complicated achievements – both a celebration of cultural exchange and a condemnation of what Frida Kahlo called ‘Gringolandia ...”

“... Rosie Lee Tompkins​ , born Effie Mae Martin in Gould, Arkansas in 1936, grew up picking cotton alongside her fourteen siblings and half-siblings. As was common for a child of rural sharecroppers, her formal schooling was limited, but Tompkins learned to sew by making bedcoverings with her mother, scrapping together any available pieces of cloth. At the age of 22, she joined millions of African Americans who left the South as part of the Great Migration, seeking what Isabel Wilkerson (after Richard Wright) calls ‘the warmth of other suns ...”

“... ecology, feminism and ‘the incredible coherence’ of Andean culture. In a 2018 interview with Julia Bryan-Wilson, Vicuña said that ‘the physical act of making actions, exhibitions, objects and so forth … cannot change anything if it is not loaded with the clearest intent, and the most intense orientation, towards touching other forms of ...”

“... How should​ a visual artist respond to a culture in which the vast majority of images are produced by machines for other machines, with humans left out of the loop? This technological turn complicates basic ideas about mimesis: that images represent the world, that they are meant to be beheld by us, that they mean at all (think of facial-recognition programs alone ...”