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“... because the tensions and problems are simply too great for anyone. This is in part the theme of John Morrison’s efficient and often thoughtful biography, which sets out to show that, contrary to the view held (at least until recently) by many observers and politicians in the West, Yeltsin is ‘squarely in the democrats’ camp’. He reminds us ...”

“... Blake Morrison begins his account of the murder of James Bulger with a delicate diversion into the story of the Children’s Crusade. The year 1212: at Saint-Denis, a boy of 12 begins to preach. He has received word from God that it is the mission of Christian children to free the Holy Land from the infidel. He draws crowds, draws followers: boys and girls swarm from street and field ...”

“... It seemed to be happening only yesterday, but Blake Morrison was born in 1950, and for him the Movement is something you have to work on in a library. So it suddenly comes to seem rather remote, as deep in the past as those files of the Spectator where he found the famous pieces by J.D. Scott and Anthony Hartley, or the scripts of John Wain’s Third Programme magazine First Reading, or copies of the Reading limited editions of Wain and Amis ...”

“... either: after a decade of false starts, it was among the first pieces he published. Robert Morrison observes that another of his trademark habits, riding on the top of carriages rather than inside, became a vogue among the dashing ‘Oxford sparks’ of his day; but opium-eating didn’t apparently hold similar thrills for the dandy culture. What was ...”

“... different requirements for entry, and boys and girls spent their days travelling for interviews. John Morrison, the tutor of Trinity, tried to get the colleges to agree to a uniform procedure, but Armitage of Queen’s and Pratt of Christ’s fought him until the establishment of UCCA forced Cambridge to take its head out of the sand. Another reason was ...”

“... of story is deliberately excluded from consideration.’ It’s a well-timed question, with Blake Morrison and Andrew Motion’s advocacy of narrative in The Penguin Book of Contemporary British Poetry being so widely and respectfully read, and well-directed too, since it clarifies what’s confused in the Penguin introduction by the editors’ simultaneous ...”

“... although it seems no live recordings survive from their heyday – that is, before Lou Reed kicked John Cale out of the band, ending three years of almost symbiotic closeness. John Cale was born in the small Welsh coal town of Garnant, between Swansea and Carmarthen, in 1942. His father was a miner; his mother had worked in ...”

“... Michael Foot or Neil Kinnock as candidates for the pantheon and some of the devotion to the late John Smith derives, no doubt, from a desperate endeavour to find a leader of note somewhere. Hence this book. ‘Hugh Gaitskell was the grandfather of Tony Blair’s revolution, the original Labour moderniser,’ the blurb begins. With Labour under Blair ...”

“... to do without ‘misogynist satire, self-congratulation, smut’. He has left these to the other John, whose anthology is bold, noisy, rude, aggressive and full of itself, all of which things love can be, too, given half a chance. Neither editor is taking any chances, though. Fuller’s book, which has a long and elegant introductory essay, is an ...”

“... She wants more and more and more new men in her He finally finishes Anna Karenina. A Kumquat for John Keats, meanwhile, is Thribbish, repetitive (much about Harrison’s being 42) and strains both rhyme and reason: and if John Keats had only lived to be, because of extra years, in need like me, at 42 he’d help me ...”

“... future careers for them, not intended to mirror reality. For instance, his fictional ‘Peter Morrison’, the decent Conservative MP, has nothing to do with the real-life Peter Morrison MP but was inspired by boyhood memories of the real-life James Prior. The fictional ‘Peter ...”

“... air, and whose voice reminded me for some reason of the first person ever to give me a job, John Gross. One of Stephen’s favourite words was ‘collegiate’, and this seemed to be his model for the paper: it would be run by a few chaps who liked tossing around ideas with other chaps, and would be read by chaps in JCRs rather than JCBs. Over breakfast ...”

“... us – James Fenton’s ‘A German Requiem’, Anne Stevenson’s ‘Correspondences’, Blake Morrison’s ‘The Inquisitor’, Motion’s ‘Independence’, the plotty, tessellated pattern of the poems in Carol Rumens’s Direct Dialling, with its East-West love story. One sees rhyme used, as Byron used it in Don Juan, to speed the narrative; hurrying ...”

“... comfort, but a lot of it very attractive. I came to the reviews with no expert knowledge of what John Sutherland calls ‘the fiction industry’ and ‘the reviewing establishment’. His two excellent books, Fiction and the Fiction Industry (1978) and the recently published Best-Sellers *, have helped me greatly.Other People was published on 5 ...”

“... by Philip Gross (three years on) 41; Jouissance by William Scammell (two years) 38; Disbelief by John Ash (three years) 55; Ken Smith’s Wormwood, a collection of poems written during a spell as a writer in residence in Wormwood Scrubs (one year), 30. The justification for such work-rates, beyond the economics of scraping a living and the PR requirement of ...”