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“... Toward the end of their correspondence, which spanned years 1851-79, John Ruskin, who hitherto had addressed Thomas Carlyle more or less in terms of deferential formality (‘Dear Mr Carlyle’), suddenly shifted to ‘Dearest Papa’, signing himself ‘Ever your loving disciple-son’. Whatever the immediate reasons for the change, it simply made explicit Ruskin’s steady conception of his relation to Carlyle, the older man by 24 years ...”

“... laid out in the discourses he delivered as President of the Royal Academy. It was re-created by John Barrell in his influential Political Theory of Painting (1986). Drawing on J.G.A. Pocock’s politics of civic humanism, Barrell replaced the two traditions of painting with a tradition of academic theory – from Shaftesbury to Reynolds and so on – which ...”

“... they were accessible to all who could pay the price of admission. One of the leading characters in John Brewer’s The Pleasure of the Imagination was a visitor to pleasure gardens. Anna Margaretta Larpent was a moderately prosperous lady living in London in the late 18th century, married to the state official responsible for vetting plays before they reached ...”

“... books under review belong to very different genres, both of which are relevant to this task – John Willett’s a critical and historical study based on many years as reviewer, English editor and translator of Brecht, Ronald Hayman’s a lively, detailed biography – though the first turns out to be far the more ...”

“... spreadsheet jigsaw, mapping the stories from the Sartre biographies (Annie Cohen-Solal, John Gerassi, Ronald Hayman) over those from the Beauvoir biographies (Deirdre Bair – very much the best; Claude Francis and Fernande Gontier, Margaret Crosland). Check those against the crucial four volumes of Beauvoir’s ...”

“... something rather different about the Spring Gardens, as they were originally known, at Vauxhall. John Evelyn, an early visitor, described the site in July 1661 as ‘a pretty contriv’d plantation’. The trees there were said to be a hundred years old in 1661. The gardens offered ‘a universal withdrawing room for the city’, as Borg and Coke put it, the ...”

“... liked it, however, to ensure that a sequel was both made and shown. Ambler was then sent to help John Huston make a film about the liberation of Italy: his account of this collaboration, which took them into front-line fighting, is by turns funny, frightening and, in the miseries they witnessed, dreadfully sad. The blurb claims (well, it would, wouldn’t ...”

“... electoral defeats, also feels that Sun readers need courting. Not for nothing did he travel to Hayman Island, Australia to address News Corporation executives; and not for nothing is he keen frequently to publish articles in the Sun. Despite evidence of a small swing towards the Conservatives on the part of Labour-supporting Sun readers at the last ...”

“... maybe more than just as an editor. His narrative is entirely about being taken seriously by Elton John, Princess Diana, George Michael, Anthea Turner, Richard Branson, Paul McCartney, Patsy Kensit, Ian Botham, Jordan, Mohammed al Fayed, Cherie Blair, Alastair Campbell, Peter Mandelson and Tony Blair. (If there are names in that list you haven’t heard ...”

“... Opera or The School for Scandal from this reckoning. The tone is likewise snooty towards John Rich: we must hope that the fuller knowledge of Covent Garden practice which is beginning to emerge will permit less condescending treatment. It should be said that Nicoll is good, though brief, on Garrick as director, at a time when London companies ...”

“... interests confined to Shakespeare: among those the countess patronised were James Thomson, John Gay and George Frideric Handel (of whom she painted a portrait), all of them occasional guests at the Ashley-Cooper family seat, St Giles House, at Wimborne St Giles in Dorset.My interest was much piqued by the fact that I knew the Wimborne St Giles ...”

“... of Mann’s writing, and even of the recent versions of Buddenbrooks and The Magic Mountain by John Woods. The failings are apparently mostly lexical and syntactical: ‘Knopf have once again employed a translator whose knowledge of German appears inadequate to the task, and who is capable of careless errors.’ Of course it’s good to get things ...”