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“... of overdrinking.’ Ah, yes, you guessed! This is your younger self speaking. And this is John Fowles, 1949-65: 250,000 words of adolescent whining, groaning, anomie, enthusing about Antonioni films and wishing he were somewhere else, with more glamorous people, doing more glamorous things. A marathon of ...”

“... skinhead, did not his clothes deny it.’ That quotation well illustrates the style in which John Fowles begins this historical novel, or mystery story, lingering over his descriptions. The reviewer-like use of the present tense, the schoolmasterly ‘not what it means today’, and the reference to ‘a modern skinhead’, invite readers to ...”

“... long time, and might have treated it more decently – as he does elsewhere in the novel. In 1964 John Fowles published ‘a self-portrait in ideas’ called The Aristos, of which he has said: ‘I hate to think of the awful pages of bad philosophy that would be in my novels if I hadn’t written that. ‘Perhaps time will find a similar use for ...”

“... of the Environment – is not very impressive. Just old stones, in no clearly discernible order. John Fowles, in The Enigma of Stonehenge (1980), quotes a child saying worriedly: ‘Why are there so many doors?’ That is how it now seems: a lot of big doorways leading nowhere. Yet it yields some intimidating statistics. Its outer circle and its ...”

“... a little lighter, more sceptical, more historically-orientated. No such problems arise with Mr Fowles’s short and elegant essay on Stonehenge, which is part history and archaeology, part literary exercise and part moral philosophy. Mr Fowles seems to have been moved to enter an arena, liberally bespattered with ...”

“... metaphysical, not homespun enough. Richard Hughes was one of our most effective local magicians; John Fowles has become one; William Golding has had the status a long time. His new novel confirms him as a master craftsman in his particular sort of magic. It is beautifully constructed, it grips the reader – so much so that its effectiveness gives it ...”

“... Saurat to the first fifty.) The Pryce-Jones introduction has now been replaced by an Afterword by John Fowles, less sensitive, but more enthusiastic. Fowles, who follows Robert Gibson* in taking Seurel as the central character, tells us that he was once under the influence of Alain-Fournier, and is still ‘a besotted ...”

“... the autonomous play of language and its yield in a tissue of signs. A considerable novelist like John Fowles can take as the starting-point of A Maggot the weaving of an apparently inconsequential pattern – for a ‘maggot’ is, in one of its meanings, a dance-tune. But Fowles is here an interesting case, because ...”

“... Harding, L.G. Salingar, Peter Ure, Ian Watt, J.C. Maxwell, L.C. Knights, D.J. Enright, Roy Strong, John Broadbent, Arthur Humphreys, Philip Collins, Pat Rogers, D.W. Jefferson and John Preston. What is disturbing is that everyone made his reputation elsewhere, often in the format which is properly Leavisian, the ...”

“... which Dyer makes from London to Stonehenge. A sign of the times, by the way, that both Ackroyd and John Fowles, in his latest novel, should send their Georgian creations crawling about Stonehenge, which not long ago would have seemed one of the purest un-Augustan activities. Ackroyd has taken Hawksmoor’s known interest in pre-Gothic architectural theory ...”

“... Even incidentally, there’s a broad, unlikely set of references to literature – to Saki and John Fowles and Gatsby’s ‘old sport’. In more detail, a character called Clem Snide does a Sam Spade impression and spends his days checking into Hiltons on a headless-body murder investigation. The case involves drugs, black magic and an Egyptian ...”

“... That John Updike has a Trollopian fidelity to his characters is evident from the four books of the Rabbit series; this new book is the third of a sequence about the New York Jewish novelist Henry Bech. As it carries him into his seventies it may be that this is the last of Bech, as Rabbit at Rest was presumably the last of Rabbit, but as long as the real author is alive, fertile and motile, one cannot be sure ...”

“... and Sid is strongly suggested by various tricks in the novel. The author makes a personal, rather John Fowles-like, intervention in Chapter Seven, as the best man at Mr Lonely’s wedding. Reproduced photographs (from Morecambe’s ‘private collection’) show him in the wedding group (‘Eric and me, a lovely couple!’). For the rest, Mr Lonely ...”

“... A Sense of Freedom from the paid confessions of other latterday Newgate heroes like Alfie Hinds or John McVicar is the intensely narcissistic attention Boyle turns on his early days in the Gorbals. Whereas McVicar perfunctorily stereotypes himself as the grammar-school boy perverted by his ‘milieu’ (fellow-con Charles Richardson’s Open ...”

“... whole event in some sane perspective? They cannot retreat into a grand carelessness until they are John le Carré or John Fowles. They might begin, however, by running through the list of previous winners and working out how many of the last 19 would feature in any ‘true’ list of Top 19 Novels 1969-87. They might ...”