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“... One of the more extraordinary revelations in A Better Class of Person, the first volume of John Osborne’s memoirs, was the fact that the author was proposed as the leading man in the 1948 film The Blue Lagoon. The teenage Osborne by his own account had a hollow chest and acne, and a loin cloth would not have shown these off to advantage; the opportunity to loll among the palms with Jean Simmons went to the Welsh actor Donald Houston ...”

“... One of John Osborne’s Thoughts for 1954: ‘The urge to please above all. I don’t have it and can’t achieve it. A small thing but more or less mine own.’ This book does please and has pleased. It is immensely enjoyable, is written with great gusto and Osborne has had better notices for it than for any of his plays since Inadmissible Evidence ...”

“... Bloomsbury have sent out the first publicity pack for Kenneth Tynan’s diaries, edited by John Lahr, which are to be published in October. Among the slogans (‘Think Alan Clark meets Alan Bennett’ – no, don’t) and the paraphernalia (a padlock and key) is a pamphlet of highlights. A good many of the selected entries concern spanking, and a good many others are anecdotes about Hemingway, Dietrich, Olivier, Vivien Leigh, Miles Davis, Gregory Peck, but it’s not all like that ...”

“... From within a few weeks of its opening in May 1956, it’s been accepted that John Osborne’s Look Back in Anger ushered in a theatrical revolution. Launching both the Angry Young Man and kitchen-sink drama, the play is held to have had a devastating and irreversible impact on a postwar theatre scene dominated by winsome drawing-room comedies and witless country-house whodunnits ...”

“... comfort, but a lot of it very attractive. I came to the reviews with no expert knowledge of what John Sutherland calls ‘the fiction industry’ and ‘the reviewing establishment’. His two excellent books, Fiction and the Fiction Industry (1978) and the recently published Best-Sellers *, have helped me greatly.Other People was published on 5 ...”

“... when the whole company of Angry Young Men was assembled. Kingsley Amis, Philip Larkin and John Wain knew one another at Oxford, but had little to do with autodidacts like Colin Wilson, John Osborne and Alan Sillitoe – this last name less often mentioned in this context than might have been expected, doubtless ...”

“... Stores dividend slips, the club cards, her spare hair nets, small gold safety pins, and a St John’s Ambulance First Aid book.’ Or maybe in the couple of old, badly-mended lustre jugs hanging above? ‘In each you would find something interesting: a small roll of bandage, a coin, a hair clip, a bus ticket or a stub of pencil with a rubber in its end ...”

“... she finds Mrs Taylor taking photographs of snails copulating, and Alan Taylor – who since John Betjeman’s death has styled himself ‘the nation’s Parkinsonist’ – lying on the floor recovering from delirium. The diarist comments: ‘Cynthia just did not know what to say: snail sexuality in the garden, delirious dreams – and from outside, the ...”

“... able legally to control her own money (which the Littlewoods managed), she sold the film rights to John Osborne and Tony Richardson’s production company for the very substantial sum of £20,000 (the equivalent of around half a million pounds today).In September 1960 Richardson directed a production of A Taste of Honey in Los Angeles; in October ...”

“... Elsie, Strong recalls without irony, was ‘a better class of person’, the same evocative phrase John Osborne used, with heavy irony, as the title of his autobiography. Osborne was six years older than Strong and from a strikingly similar background about which he was equally unforgiving, as was another close ...”

“... has benefited greatly from the attentions of the Hull-based magazine Bête Noire. In the past year John Osborne, the magazine’s editor, has published a hundred of the poems now included in Goodstone, and it is very much thanks to this exposure that Voss has secured a mainstream British publisher. In Osborne’s ...”

“... of Spender. As Worsley puts it, in his 1971 preface, Murray ‘was for us what someone like John Osborne was to the young of the Fifties’. But an Osborne without anger or malice. As Worsley presents him, the Spender character is the St Sebastian of his time: ‘what was most striking about Martin was his ...”

“... and sculpture undermined art’s humanity. ‘Painting is made out of a love for the subject,’ John Minton repeatedly told his students at the Royal College of Art, in defiance of an abstract tradition that had resurfaced with Victor Pasmore’s 1948 abstracts. Pasmore became a leading member of the Constructionists: abstract artists who abandoned nature ...”

“... John Minton’s face is familiar – if not from the self-portrait now in the National Portrait Gallery, then from the likeness he commissioned from Lucian Freud and bequeathed to the Royal College of Art. It is very long, large-eyed, hollow-cheeked, with a receding chin and dark tousled hair. Photographs suggest that the self-portrait is a better physical likeness; the truth about his emotional state seems to lie with Lucian Freud ...”

“... triumph of a perverted and endlessly corrupting liberalism’. After a drive-by shooting of John Rawls (‘he had no convincing vision of the good society or the good life’), and a wildly constructive misreading of Rawls’s famous ‘veil of ignorance’, Blond ties himself in verbal knots as he tries to assert that the liberal state is destined to ...”