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“... we are as the double almond concealed in one shell,’ he broods in ‘Colloquy with John Keats’, going on to predict his own equally untimely demise in harsh demotic terms – ‘Look! My number is up!’ After his cremation at Rookwood Cemetery Ethel opened his trunk and set about disposing of his pitiably meagre possessions; in the process ...”

“... up by the text and promulgated; Michael is sometimes addressed by his brother as Mr Bones, like John Berryman’s alter ego in The Dream Songs (‘Oh how lovely, Mr Bones, how bloody lovely’). The German art teacher becomes the German Bachelor, and the Bauhaus, where he said he once worked, becomes the Bower House. Later in the book, Butcher will refer to ...”

“... bursaries, but his advisers also wanted evidence of skill. One of them, however, suggested he see John Reed. Reed was a solicitor, interested in Modernism. He lived with his wife Sunday in a house called Heide, in Heidelberg, a semi-rural community outside Melbourne – it had given its name to the Heidelberg School of Australian painters in the late 19th ...”

“... both those guys; they are very savvy businessmen.’ One can’t imagine Franklin Roosevelt or John Kennedy saying such a thing, or wanting to say it. They had known ‘those guys’ all their lives and felt no tingle of reflected glory. Obama has not yet recognised that his conspicuous relish of his place among the elite does him two kinds of harm: it ...”

“... the Ringling Bros. and Barnum & Bailey Circus. ‘The Circus’, it’s worth recalling, is what John Le Carré called his fictional spy headquarters.And then​ there was Peter Sichel, a German Jew from a family who had lost their wine business to the Nazis. He had escaped to Bordeaux and, after France fell, to the US via Spain. Aged nineteen, he enlisted ...”

“... cannot be justified. This liberal argument from the worst possible case was advanced long since by John Stuart Mill. It affords insufficient comfort to most contemporary feminists, many of whom want an answer to the theoretical questions about the relative potentialities of the two sexes, and provides no guidance to those feminists and others who think that ...”

“... influence on his early fiction, however, was Raymond Roussel, to whose work he was introduced by John Ashbery in 1956: Roussel’s ‘sovereign genius’, Mathews later declared, ‘demonstrated to me that psychology was a dispensable fashion, that the moral responsibilities of writing did not lie in a respect of subject matter, and that the writing of prose ...”