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“... masterpiece of ‘Seaton’s Aunt’. The process works another way, too. In his splendid stories John Updike creates a far more telling image of himself as a denizen of suburban America, and a participator in its ritual matings and partings, than if he had spelt it all out in the true first person, recounting his triumphs and disasters in the field of sex ...”

“... Guards in the Great War. He was shaken and humbled, as the British Empire was to be. When his son John, aged barely 17, was rejected by the Navy because of poor eyesight, he wanted to go off and enlist in the ranks, but his father used his friendship with Lord Roberts to get him a commission in the Irish Guards. He disappeared the following year in the Battle ...”

“... done, and says: ‘It’s not those misfits I’m worrying about, it’s you.’ ‘Me?’ said John. ‘Why?’ ‘You’re getting too fond of bullying,’ said Veronica, ‘it interferes with your charm, and charm’s essential for your success.’ She went out to make the coffee. What Veronica said was very true, thought ...”

“... gloves, which were unsporting. No gesture was involved, but a certain amount of quiet conviction. John Betjeman and Joan Hunter-Dunn would have approved: indeed Betjeman was a great admirer of Blunden’s poetry. His English Poems ‘was the first book by a living poet I remember saving up to buy. I learned many of his poems by heart and can still recite them ...”

“... story about other writers, and was delighted when his friend Frank Swinnerton ventured to call on John Galsworthy in the country, and reported that the great man had risen from his work-table exclaiming gravely: ‘I say, Swinnerton, this is very sporting of you, very sporting indeed.’ Oddly enough, Walpole has probably lasted better than Mackenzie and ...”

“... mostly Scottish, and Hughes partly Welsh. The presidential or father figure of the group would be John Buchan, another Scot, whose innings was over before the younger ones started to play, although he was still around as they became famous. This English angle was partly suggested to me at the time when Hughes’s penultimate novel, intended as the first of a ...”

“... Fanny Burney and Jane Austen, should have taken their feminine image from Richardson-Clarissa. As John Mullan shows in his useful and scholarly book, the early prestige of Richardson went underground, his ‘fairer and better sex’ taking on its vulgar Victorian form, but also appearing metamorphosed in George Eliot’s measured approval (‘we have fallen ...”

“... but to have a ‘friend’ – no, it really won’t do. ‘I’m your friend,’ said Myfanwy to John as they crouched in the ‘dark and furry cupboard while the rest played hide-and-seek’. Betjeman got that about right.‘We’ve always been the greatest friends’ – that is the kind of thing the lady says about her dentist or accountant, or a woman ...”

“... a year as Literary Editor for the Nation, doing so well at matching books and reviewers that John Crowe Ransom said he deserved a Pulitzer Prize for it. ‘Not since Poe had an American poet laid down the law in quite such a carnival spirit.’ In those days of talented amateurs the Eng Lit business was still the Gay Science. Used by Nietzsche, and as a ...”

“... to the writers who give each literary age its actual and particular flavour. Once it was Sir John Squire and Edward Shanks – obviously the most significant and influential voices of the time. During or just after the last war it was Connolly and Koestler and Spender, William Plomer, Alun Lewis, Dylan Thomas, Peter Quennell. Some still have life or fame ...”

“... being in the right place, as in Arnold Bennett and J.B. Priestley, and it moves rather close to John Wain’s posthumous novel, in his Bildungsroman series about a young man growing up in Oxford – a trifle ironical in view of Amis’s strongly-expressed disdain for Wain’s mode and temper of writing. Both novels join in a mood of mellow ...”

“... and he opens with a marvellous one – surely his own discovery – by the Medieval chronicler John Lydgate, about a horse called Lyarde, too old now to work. They lead him to the smithy to pull off his shoon And put him to greenwood, there for to gone. The idea is echoed by Larkin, also well represented here, in his poem about race horses, ‘At ...”

“... and thinks for an awful moment it is her lover who has been killed – their names both being John. A moment’s reflection will show the utter absurdity of this, in terms of ordinary human emotion, but it is an effective and traditional dramatic stroke, dovetailed into a modern setting in such a way that it seems to reveal the ‘truth’ about modern ...”

“... else does. Christopher Sykes attributed Waugh’s dislike of Duff to sexual envy and jealousy, and John Charmley agrees that it exhibits Waugh ‘in an oddly unfamiliar light’. Waugh may well have been frustrated and made to feel small by not knowing what the Cooper protocol was really like, or what Diana Cooper was about. She did not behave as he thought ...”

“... of assuming an audience ‘both universal and homogeneous’. The pamphlet was quoted recently by John Gross in an afterword to a new edition of his book The Rise and Fall of the Man of Letters.* Gross assumed a combative stance, calling his piece ‘the man of letters in a closed shop’, and speaking of the ‘cold horror’ that filled him when he ...”