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“... material to Howe’s imagination: from Roberto Rossellini’s film about his life she can touch on Ingrid Bergman in Stromboli, pregnant and lost on an Aeolian island ‘in a continual state of eruption’, and in Europa ’51 as the bereaved mother who finds God. From Clare’s self-imposed hunger she can conjure Simone Weil, who left the anti-fascist ...”

“... to stand on a pedestal so he can crash. He was ‘America’s favourite comedy saint’; ‘the Ingrid Bergman of film comedians’. The allusion is to the American public’s surprise when it learned of Bergman’s affair with Roberto Rossellini, but the very idea of a ...”

“... of Casablanca. ‘Isn’t the Swede beautiful? I mean truly, truly beautiful,’ Hemingway said of Ingrid Bergman. His son agreed. The two men started weeping uncontrollably over Bergman’s beauty. This was in 1955, with six years of decline to go. Hemingway’s slogan, ‘good writers are drinking writers,’ could ...”

“... backdrop to the shunting trains of life itself. When Humphrey Bogart in Casablanca was forsaken by Ingrid Bergman and entrained at the Gare de Lyon, when Celia Johnson and Trevor Howard had their Brief Encounter in Carnforth refreshment room, their audiences were emotionally prepared for the settings. Boarding-school children learnt early to associate ...”

“... woman in her youth. She was small, slim, with thick brown hair that she wore in the style of Ingrid Bergman. She was not my father’s intellectual equal, nor his social equal. Her own father, born on the Falls Road, was a hard-working, quiet man whose last job was as a boardmarker in a bookie’s. My mother is immensely proud of her father, who ...”

“... 1949, Williams brings his ‘sore ass’ into linguistic contiguity with his dinner companions Ingrid Bergman and Roberto Rossellini: ‘Bergman-Rossolini [sic] rushes – disappointing – sore ass – we all went to Quirinale afterwards. Nobody even seemed to notice Ingrid was ...”

“... bound to simplify them when they’re gone. Golda Meir’s reported to have been Transformed by Ingrid Bergman to a swan, But now, with Bergman dead at 65 No one in Casablanca’s left alive. It was a clumsy film with a bum script Yet watching it once more I sit and dream. The cigarettes they smoke aren’t ...”

“... is to the George Cukor film of the Patrick Hamilton play Gaslight, in which Charles Boyer drives Ingrid Bergman mad with self-doubt through devious manipulations that include the gradual damping-down of the gaslight lamps in their marital home. Use of the accusation might tend to exculpate the accused, since anyone capable of applying it is surely ...”

“... napkin tucked under his chin and in that all too imitable accent in which he’d said farewell to Ingrid Bergman in Arch of Triumph, he pointed out which of the salads came up to scratch. Actually Ingrid Bergman was there, too, somewhere.Such ancient icons, stars who might now be in decline but who had shone in ...”

“... Gina Lollobrigida. Other stars were imported. Rossellini made a series of movies with his wife, Ingrid Bergman; Visconti’s Senso (1954) paired Alida Valli (returned to Italy from Hollywood) with Farley Granger; De Sica’s Stazione Termini (1953) starred Jennifer Jones and Montgomery Clift. De Sica had originally planned to make Bicycle Thieves with ...”

“... Truman, I don’t think history would be the same without him. Especially if he had to look up at Ingrid Bergman and say: “Here’s looking at you, kid.”’ Blue is tantalised, especially by the mysterious relationship between Hannah and Charles, but doesn’t go to meet the group. Several letters reiterating the invitation are slid into her locker ...”

“... are now dead, I think they would have been glad to share some of their memorable comments; on Ingrid Bergman, for instance, ‘a nice soul, but ... common and mannerless ... she might well be a housemaid in a big Hamburg hotel’; on Mary McCarthy, who had ‘a behind built on the lines of a canal barge’. The writer Elizabeth Jenkins was granted a ...”

“... Jew.’ Hecht continued his scriptwriting throughout. At the time the ad appeared, Notorious, with Ingrid Bergman as the daughter of a Nazi spy and Cary Grant as her handler, was showing in British cinemas.Frantic efforts were now being made to smuggle Jews into Palestine. One of the boats intercepted by the Royal Navy was the Ben Hecht, bought with the ...”

“... with three characters. Lou is the heroine: beautiful (in her youth she is sometimes mistaken for Ingrid Bergman), educated (‘she spoke three languages and held her tongue in all of them’), generous, patient, forgiving and modestly artistic. Having grown up in the shadow of her mother’s resentment at their abandonment by Lou’s father, a ...”

“... he says, underestimate ‘how truly “smart” and professional she is’. He compares her with Ingrid Bergman and says that, like Bergman, she is one of those rare actresses whose enthusiasm for the avant-garde can get certain pictures financed, and made, and even seen, which might not otherwise be possible. Her ...”