Search Results

“... Say ‘Iain Banks’ and the person you are talking to will say ‘The Wasp Factory.’ Banks may have as much trouble getting out from under the success of his first novel as did William Golding. It was a memorable debut. The Wasp Factory provoked a moral panic in 1984. The TLS critic called it the ‘literary equivalent of the nastiest kind of juvenile delinquency’; Margaret Forster thought it less a novel than the script for a video nasty ...”

“... of alternative employment. Ignore your inner urges. No man but a blockhead etc. Do anything else. Iain Banks was not a blockhead. He was one of the few winners in one of the world’s oldest and most respected winner-takes-all systems. So now that the obituaries have been written and the tributes paid, how might the rest of us claim our inheritance? What ...”

“... In interviews, Iain Banks has said that his new novel The Steep Approach to Garbadale was first imagined as a fantastical tale of multiple realities, in which characters would find themselves magically trapped inside a board game. The novel he has written instead is a family romance, set in the UK in 2005, and the board game it features is safely non-magical ...”

“... imagination, and of accidents that proceed from it, is enhanced, however, by comparison with Iain Banks’s treatment of related matters in his new novel. Banks has made a name for himself as an unembarrassable master of the macabre, which he gleefully represented in The Wasp Factory and Walking on ...”

“... became an important mainstream novelist,’ and went on to compare him to Ian McEwan and Iain Banks – intending that as praise. Ballard hadn’t really switched to writing conventional fiction resembling either of Bradbury’s examples, but it’s true that in 1984 the mainstream suddenly discovered him. Empire of the Sun was shortlisted for ...”

“... If it were​ a race, the first man home – except for Iain Banks who won the trophy by a mile – would be Oliver Sacks (announced 19 February – died 30 August), with Henning Mankell (announced 17 January – died 5 October) a close second. Lisa Jardine won a race of her own, staying shtum publicly, her death a surprise except to the few who knew ...”

“... value is something of a tradition, whether or not its author goes on to show a wider range, as Iain Banks did after The Wasp Factory in 1984, or leaves it at that, as Charlotte Roche seems to have done since the publication of Wetlands in 2008. In any case Rijneveld’s material, though irreproachably extreme, can be interpreted equally glibly in ...”

“... Iain Sinclair, in the profane spirit of Surrealism, has chosen to decorate the endpapers of his new work of fiction with a dozen unutterably strange picture-postcards. They show scenes such as that of six men, heavily veiled, veils held down by brimmed hats, posed with long-barrelled rifles. And two men in grass skirts, with feathers in their hair, intent on a game of billiards ...”

“... Houston compares the fate of the calculator to that of an alien species in the science fiction of Iain M. Banks, which becomes so advanced that it ‘sublimes’ from the physical universe altogether to settle in higher dimensions. The calculator as a gadget may have sublimed into software, but the comparison doesn’t do ...”

“... says London refuses to oblige major film productions? Roads closed off, police, colourful extras, banks of cameras: the funeral is a one-day epic with a minimalist performance at its centre. There’s nothing for the uninvited to witness. One hundred and forty ticketed seats barely cover the worldwide media interest; reporters book in for a taped rendering of ...”

“... the capacity of crushing to zero the spirits of fragile, potentially suicidal personalities. Cloud banks absorb the hurt from wounded psyches, become leaden, withhold more of the light. We infect the skies with our own despair. And are infected in return. Unsuspected weather-allergies roam the city like serial-killers. Bad will generates a sympathetic storm. A ...”

“... son et lumière procession, is noticed by Ackroyd in the act of ‘meeting his adherents by the banks of the Ravensbourne’. ‘No other tributary of the Thames,’ he writes, ‘has such a history of insurrection and bloodshed.’ One of the distinguishing features of Ackroyd’s Thames is recurrence; landscape is revised, personages come and go, the ...”

“... the Trust went on to bring credit facilities into an area which had been ‘red-lined’ by banks and building societies. It emerged as a campaigning property company, able to buy buildings, refurbish them with a care for the minutest period detail, and resell them under covenant. The new immigrants form a mixed and largely agreeable group, and they ...”

“... beneath a fast stream. John Clare, in ‘Recollections after a Ramble’, writes of sitting by the banks of a river and thinking: ‘If I tumbled in/I should fall direct to heaven.’ The wet colour is hazy, soft; it does its best to subvert the over-emphatic actuality of the borrowed original. Memories are elective, not involuntary. More like dreams or ...”

“... bowl in the Ochil hills, and is orientated almost exactly east-west. On its north and south banks grow sparse hawthorns tufted with lichen and old stunted oaks. At its western end, where the springs that feed the loch rise, Scots pines and larches dominate. On winter afternoons they stand silhouetted against the sunset. Because the loch was dammed to ...”