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“... Eric Rohmer​ never left things to chance, but he did make use of the unexpected. It’s a paradox we find a lot in his films, and something he practised daily in the double life he lived for more than seventy years. In his film-making he demanded exhaustive preparation and absolute precision: he recorded countless sunsets disappearing into the sea in the hope of capturing one elusive green ray; he planted flowers so that a month later an actor could pick a rose; he posted mail to a false address to check a plot point that rested on a letter not reaching its destination ...”

“... own right that their figurative potential, such as it is, hardly seems worth bothering about. Eric Rohmer is of course well-known as a film director, but apparently he prefers to sketch out his work in literary form as a first stage. His Six Moral Tales preceded the films that we associate with their titles, which include ‘Claire’s Knee’, ‘My ...”

“... they remind us that hell is other people. Or they make movies. Among the early works of Éric Rohmer are Six Moral Tales. Among his late works are Tales of the Four Seasons, which take the notion of moral experience for granted. New restorations of these films have just been released on the Criterion Channel. ...”

“... the shadowy outlines of Georg Baselitz, Louise Bourgeois, Paula Modersohn-Becker and Éric Rohmer. The unnamed narrator alternates third-person episodes with the first person, recounting scenes from her own life in France: some having to do with a G, others having to do with the body’s subjection to violence, both from without and from within. If ...”

“... Jean-Louis Bory, a novelist and film critic who had suggested that ‘Truffaut, Chabrol, Demy and Rohmer have sold out to the system.’ The letter is a miniature autobiography, and makes clear that Truffaut’s independence as a filmmaker was hard-won and continuing, that the only ‘system’ he served was that of getting particular movies made and ...”

“... on to make the films of François Truffaut, Jean-Luc Godard, Jacques Rivette, Claude Chabrol and Eric Rohmer. Their polemical stance as critics (with the exception of their brilliant mentor, the metaphysically-inclined André Bazin) was an attempt, ultimately successful, to create the taste by which their works as practitioners were to be relished; as ...”

“... As so often with his pictures, it’s the background that pulls it all together, something Éric Rohmer noticed when he put a poster of La Blouse roumaine on the wall of his heroine’s bedroom in Pauline at the Beach, to pick out the red of a rubber ring. By comparison, the headless, limbless YSL mannequin, fixed to a plinth by a single pole, seems ...”

“... French-cinema allusion is apt for the book. It is not quite Truffaut, but it is certainly rather Eric Rohmer: another punctilious anatomy of the middle-class heart and its vagaries. The three characters are drawn with the fine nib we have come to expect from Barnes. There is Stuart, the practical, bovine, smart-casual young banker: ‘all that’s ...”

“... at the British Library, and it’s only every now and then that it has a passing resemblance to an Eric Rohmer suburb where everyone seems to know everyone else and there’s trouble ahead because they do. It is early April, university Easter holiday time, which coincides with the writing of dissertations and exam revision: the reading rooms and the halls ...”

“... Godard, Jacques Rivette, Claude Chabrol and Maurice Schérer, later known by his pseudonym, Eric Rohmer. By and large, unlike their counterparts on the left-wing journal Positif, the early Cahiers writers were either effectively on the right, like Rohmer, or essentially apolitical in their preoccupation with ...”

“... handling in Prêt-à-Porter is more mellow and assured. Although Short Cuts showed that he is no Eric Rohmer in maintaining interest in numerous scenes that have two or three characters, he is very good at managing large groups of performers and in Prêt-à-Porter he constructs elegant and richly textured Night Watch-like tableaux out of light, bustle ...”

“... Besançon and Rouen. In the 20th century, cinema has relayed the tradition. The extreme example is Eric Rohmer, whose Comédies et proverbes and Contes des quatre saisons include settings in Clermont-Ferrand, Annecy, Le Mans, Biarritz, Cergy-Pontoise, Nevers, St Malo. The list, like that of Impressionist paintings a century earlier, leans towards ...”

“... to pose a greater threat to national security than terrorism. In May 2014, the attorney general, Eric Holder, announced that criminal charges had been laid against five Chinese military officials accused of hacking into US companies in order to gain trade secrets. In October 2014, as President Obama was preparing to make a state visit to China, a coalition ...”