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“... division between the two phases is the outbreak and self-destruction of the French Revolution, as David Erdman demonstrated so many years ago. It is the urgency of Blake’s changing responses to these shattering events that gives meaning to his technical decisions. Of course, like any great printmaker – and one might mention Goya here – he was carried ...”

“... David Bindman does not think that Hogarth was joking when he gave one of his contemporaries, John Nichols, a comic demonstration of minimalism: it took the form of a diagram composed of three lines and he claimed that it contained his memory of ‘a Sergeant with his pike going into an Ale House, and his Dog following ...”

“... to deliver much more than formulaic world-weariness, a drone like a miraculously articulate David Hockney impersonator. Jonathan Meades does this schtick so much better, performs himself with lip-smacking relish. Gossip has its charms, but not when it’s dragged out over three interminable evenings with animated postcard footage re-used to the point of ...”

“... notes and drawings he had made of English Gothic, English brickwork and warehouse construction. David Bindman and Gottfried Riemann have edited these notes, interleaving them with Schinkel’s letters home to his wife and they have added contemporary illustrations from other sources, showing places and artifacts referred to in the text. Enhanced by the ...”

“... undermine enthusiasm for any political or social virtues the Revolution might possess. The result, David Bindman writes in his excellent catalogue of the exhibition, was ‘to establish in British consciousness, in place of the myriad complexities of the real French Revolution, a series of simple pictures and stereotypes which have proved virtually ...”

“... other in the complement of pages, page order, colour, and occasionally the wording’ – so says David Bindman in his introduction to William Blake: The Complete Illuminated Books (Thames and Hudson, 480 pp., £39.95, 30 October, 0 500 51014 8). Obviously not many such books could be printed, which accounts for their extreme rarity, but Blake thought ...”

“... portrait, albeit of a distinctively colonial character and quality. Last year, the art historian David Bindman, who has studied the picture closely for thirty years, proposed that it is in fact a self-portrait, painted by Williams himself.What is the intent of the image and what is created by its beholders? The problem of Francis Williams’s portrait ...”