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“... two written forms (Bokmål is the other), most common in western Norway. The fidelity of Damion Searls’s translation is impossible for an outsider to judge but it reads very fluently; it seems Searls is to Fosse what Anthea Bell was to W.G. Sebald, the best possible intermediary. There’s such carry in the ...”

“... reading them is anything but gloomy. And credit for this belongs nearly as much to the translator, Damion Searls, as to Nescio himself. Partly this has to do with a historical peculiarity of the Dutch language. Nescio, according to Eyckens, bore ‘the heavy influence of his Dutch teacher, Mr R.A. Kollewijn, founder of simplified spelling’. The ...”

“... anger or clinginess or depression, was by training to be Rorschachian analysts themselves. Damion Searls, whose new book offers the first history of ‘probably the ten most interpreted and analysed paintings of the 20th century’, doesn’t argue, as others have, that the Rorschach is ‘the most powerful psychometric instrument ever ...”

“... have three new English translations: by Michael Beaney for Oxford, Alexander Booth for Penguin and Damion Searls for Norton. (A fourth, by David Stern, Katia Saporiti and Joachim Schulte for Cambridge, is forthcoming.) The book came out of copyright in 2021 (seventy years after Wittgenstein’s death), which is the reason new translation is possible. But ...”

“... The Swiss artist​ Sophie Taeuber grew up without a father. Carl Emil Taeuber, a pharmacist, succumbed to tuberculosis in 1891, two years after her birth. Her mother, another Sophie, never remarried. Instead she moved back to Trogen, her birthplace, and designed a new house for her young family; supervising its construction, planting and tending its garden, and looking after a series of paying guests ...”

“... Eva Braun kept photograph albums. Whether lounging on the terrace at the Berghof or tagging along on a state visit to Italy, she was always snapping away. Her first and only proper job was selling rolls of film at Photohaus Hoffmann in Munich, and an interest in photography stayed with her during the 14 years of her relationship with Hitler. At the Führer’s various residences, she took colour home movies using an up to the minute 16mm Agfa-Movex camera ...”