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“... Munch: The Modern Eye (until 14 October) goes out of its way not to be that show. Its curators, Clément Chéroux and Angela Lampe from the Centre Pompidou, have put on a capacious display, informed by a mission to explain. But the argument that drives them is internal, aimed at previous curators’ preconceptions. Munch, they point out, spent sixty ...”

“... At​ the Pompidou Centre in Paris, a two-hour wait will get you ‘priority access’ to the Henri Cartier-Bresson exhibition. It’s available only to friends of the museum, members of the press, and those who bought tickets in advance and naively thought they’d walk straight in. As the American woman behind me remarked, it’s the kind of queue that would be generated in the US by the opening weekend of Terminator 4 ...”