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“... The rumour of my death has long abated. The Greeks still love me, but I don’t love Greeks Except for one – or two; I must be fated To wander and to change; when the mast creaks I smell the salt and know my soul unsated Until it finds the language no man speaks. And what is that? some simpleton demands Who’s never heard the seething of the sands ...”

“... The relationship between Byron and his editor John Murray lasted a little over ten years. It began in March 1812 with the publication of Childe Harold’s Pilgrimage, which made Byron’s name. (‘I awoke one morning and found myself famous,’ he famously wrote, or is said to have written ...”

“... Ian Gilmour’s deft and learned book is concerned with the lives of Byron and Shelley up to the morning on which Byron woke up and found himself famous. The poets weren’t to meet for another four years, so Gilmour isn’t telling the history of their acquaintance but its prehistory; and not the least of his book’s many virtues is the way it makes you realise what an odd combination they made ...”

“... A heart for every fate’: the title Marchand has chosen, from the enchanting lyric Byron wrote to Thomas Moore in 1817, doesn’t seem quite appropriate. It would have been better to borrow Doris Langley Moore’s Lord Byron: Accounts Rendered, for in these months in Genoa (October 1822 – June 1823) Byron was settling his accounts with his creditors, with his public, with his publisher John Murray, with his mistress, and making arrangements to settle his accounts with life and fame ...”

“... Byron is one of the first international successes of the literature industry. From the Renaissance on, sculptors and painters could get into the big money in any of the richer economies of Europe; throughout the 18th century, musicians poured out of Germany, Austria and Italy. But writers, because of the language barrier, had to wait for a large leisured readership, as well as for the late 18th-century boom in the printed word, which included among its manifestations the rise of the literary review ...”

“... Byron looked at his own tumultuous life with an Enlightenment gaze: empirical, sceptical, agnostic, hedonistic. He was an ironic rationalist, who, like all rationalists, had an irrational personal history. He was interested in what, if anything, the two things – the tumultuous life and the Enlightenment gaze – might say about each other, but he never assumed that one could be used to explain the other, or that explanation could ever be sufficient; as he has Cain say, ‘I look/Around a world where I seem nothing, with/Thoughts which arise within me, as if they/Could master all things ...”

“... We can know Byron better than anyone has ever known him. Leslie Marchand’s edition of the Letters and Journals, which is far more extensive than any previous collection, has now covered Byron’s whole life. J.J. McGann’s complete edition of the poems is proceeding expeditiously: the three volumes to date include all the poems written before Byron left England in 1816, and Volume II has the whole of the masterpiece Childe Harold, including Cantos III and IV, which were written in exile in 1816 and 1818 ...”

“... yet once more! And the waves bound beneath me as a steed That knows his rider.On 25 April 1816, Byron set out from Dover for the Continent, never to return to England. Four days earlier, he had signed the separation papers that put an end to what Benita Eisler calls ‘one of the most infamously wretched marriages in history’. Annabella Milbanke ...”

“... The trailer for the recent BBC dramatisation of Byron’s life made no bones about the poet’s appeal. ‘Everything you’ve ever heard about him is true,’ the husky female voice-over promised. Here was a story that would excite us because of what we already thought we knew. Judging by the immediate critical response to Fiona MacCarthy’s biography, the appetite for Byron’s life is indeed sharpened by all the stories we already have ...”

“... termagant than ever’. Such disparagement of the woman, who in 1812 had a notorious affair with Byron and was married to a future prime minister, was not confined to the Lamb family. Metternich’s mistress, Princess Lieven, referred to ‘that madwoman Lady Caroline Lamb’, and Lord and Lady Holland compared her to typhus, while within Caroline’s own ...”

“... to a tragedy. If any couple bore out that maxim it was Annabella Milbanke and George Gordon Byron. The ‘happy’ chapter lasted barely 24 hours, the ‘ever after’ is with us still. Even the clergyman who performed the service was soon disillusioned. The Rev. Thomas Noel had been promised some ‘substantial’ token of the groom’s ...”

“... Byron​ knew just how good Don Juan was. Part way through the poem’s ninth canto, drafted in Pisa in the summer of 1822, he takes a break from a digression on Pyrrhonian scepticism to assess how things are going:’Tis time we should proceed with our good poem,    For I maintain that it is really good,Not only in the body, but the proem,    However little both are understoodJust now, – but by and by the Truth will show ’em    Herself in her sublimest attitude:And till she doth, I fain must be contentTo share her Beauty and her Banishment ...”

“... with India. You can’t beat that, it’s better than Wyatt Earp.’ And it’s as good as Lord Byron. Take the life of Disraeli, for ‘novelist’ read ‘poet’, and you’ve got an epic about what happened to Byron after he’d recovered from that deadly fever at Missolonghi. Having fought for Greek independence, he ...”

“... error and Will has his credit again. Describe all possible values for that credit. Let Tom be Lord Byron. Let Will be Dr Polidori. Let the deed of errant authorship be the writing of The Vampyre (1819). Do the values for Polidori converge or diverge? If the sum of those values exists, is it real, irrational, imaginary? In April 1819 there arrived in London a ...”

“... for the Modern Languages. The ‘Greek Love’ which preoccupies him is not to be confused with Byron’s philhellenism – with his denunciations of those Scots and Englishmen who had carried back to Britain whatever Greek antiquities they could lay their hands on, and his final fatal espousing of the cause of securing the independence of Greece from ...”