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“... I have been reading again The Mind of the Maker by Dorothy L. Sayers. Barbara Reynolds says that this book – together with her famous series of radio dramas The Man Born to be King – is her greatest work. And Barbara Reynolds should know. She is the goddaughter of Sayers; she is a distinguished Italian scholar and collaborated with Sayers on her translation of The Divine Comedy (a collaboration fascinatingly written up in her book The Passionate Intellect: Dorothy L ...”

“... there are other translations. The previous version in English verse was done in the 1970s by Barbara Reynolds. It is more conservative metrically and stylistically; Slavitt describes it as not ‘funny enough, or sprightly enough’, but Reynolds’s restraint is better suited to the poem’s serious passages than ...”

“... Hackney, shortly before midnight on 11 February 1982, Terry McCluskie and his friend Raymond Reynolds picked a fight with a total stranger, Robert Ford, and stabbed him to death. Ford was 15 years old and had just taken his girl-friend home after spending an evening at a local Citizens’ Band radio club. McCluskie, also 15, and ...”

“... briefly alludes to it, but one of Barrell’s earlier books, The Political Theory of Painting from Reynolds to Hazlitt (1986), gives an excellent account of it, tracing its roots in Aristotelian political theory and demonstrating its hold over the aristocratic imagination until the mid-century, when it gradually withered only to flower again in radical ...”

“... this innovation in the ten rigidly parallel monologues of The Ring and the Book, a structure that Barbara Everett (in a brilliant essay published in the LRB 25 years ago) likened unanswerably to ‘other and baser Victorian misunderstandings about the nature of the aesthetic, from wax flowers under glass to models of the Crystal Palace constructed out of ...”

“... fiction too. In a story called ‘The Gardens of Mont-Saint-Michel’ (1969), John and Dorothy Reynolds are driving to Mont-St-Michel with their daughter Alison and their niece Linda. They recall a previous visit: Eighteen years ago, they had arrived in Pontorson from Cherbourg, by train, by a series of trains, at five o’clock in the afternoon. They had ...”

“... got from the French poets, especially Mallarmé. In her essay ‘Philip Larkin: After Symbolism’ Barbara Everett has pointed out these French, echoes: the fact that, for example, ‘Sympathy in White Major’ is a kind of symbolist parody of Gautier’s ‘Symphonie en Blanc Majeur’, and ‘Arrivals, Departures’ echoes Baudelaire’s ‘Le Port’. It is ...”

“... things were best said by not being said at all. Plante, however, is a throwback to the days of Barbara Skelton and the Comtesse de Boigne. In the years covered by his diary, he seems to have had an ear permanently cocked. Or was it his leg? Or was it his cock? Whichever, he was alert to the possibility that somebody close at hand might be about to offer ...”

“... in learning Old Church Slavonic or translating Rimbaud. Meanwhile, pioneering scholars like Barbara Tuchman, Frank Manuel and George Whalley mined gold year after year from the lodes of ore in the libraries.The roots of this bookish postwar New York, as Denise Gigante shows in Book Madness, stretched back deep into the 19th century. Some of them also ...”

“... and Schwartz, Anthea Bell, Linda Coverdale, David Coward, Howard Curtis, William Hobson, Sian Reynolds, David Watson – but, or and, one of the remarkable features of the project is how consistent the tone is across the books. When you look at the range of tones and voices in the same publisher’s multi-translator edition of Proust, it’s striking how ...”

“... the fact. His exemplar was Max Ophüls, for things like the long tracking shot of James Mason and Barbara Bel Geddes in Caught, dancing in a crowded club, nudged close together and realising that they enjoy it. The credited cinematographer in The Killing, Lucien Ballard, had worked with Josef von Sternberg and Jacques Tourneur, but on the set Kubrick betrayed ...”