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“... of other media. We encounter it all the way from Taxi Driver and Mulholland Drive to The Diary of Anne Frank and Amy Winehouse, from the classical hubris of O.J. Simpson to the collective hubris of ecological disaster. With Freud and the existentialists, tragedy continues to colonise philosophy, as David Kornhaber points out. In a fluid, fragmented ...”

“... which survive a bereavement and bring home its poignancy. The gift was vividly present in ‘Anne Frank Huis’: the pathos of the girl’s possessions, the pictures of her family mingling with cuttings of famous actors and ‘fashions chosen by Princess Elizabeth’, will seem extraordinarily accurately captured to anyone who has visited the house ...”

“... conscientious daily witnessing is always coloured by the hindsight the reader brings to it. Like Anne Frank, Kruk had no knowledge either of his own future or of Hitler’s intentions towards the Jews (information comes erratically as rumour, often wrong), but unlike Frank, Kruk was a political ...”

“... and, according to Sharon, menavulim, a word meaning ‘malevolent criminals’. In her diary Anne Frank wrote of the German plan to ‘cleanse’ Utrecht of Jews ‘as if the Jews were cockroaches’ – a description applied to the Palestinians by the Israeli Chief of Staff General Eitan. It is easier to kill people if you think of them as ...”

“... Portnoy, by having young Nathan fantasise that Amy is in fact that quintessential Holocaust icon, Anne Frank, secretly escaped from the Nazis and living incognito in rural New England. Kliman the would-be biographer tries to win Zuckerman’s support by comparing him to his idol, speaking of ‘Lonoff’s final struggle with his impurity. His ...”

“... I was waiting for you to get to work ‘A True Account of Talking to the Sun at Fire Island’ Frank O’Hara 1 You know the second person in the history of the world the Sun chose to speak to personally was Frank O’Hara, the first was Orpheus [me]. You are my Sweetheart said the Sun ...”

“... produced in revolutionary Iran: we are more likely to think of it as a science-fictional Diary of Anne Frank. The stylistic challenge of the tale of the future was defined long ago by H.G. Wells. It is the challenge of knowing when to be vague and when to be precise. ‘So soon as the hypothesis has been launched,’ Wells said of his scientific ...”

“... knowing herself to be a witness to a monstrous piece of history (‘I was in the same barracks as Anne Frank. Of course, I didn’t know who she was then. There were just some Dutch girls. They cried all the time.’) Watching the VJ Day commemorations brought it back. ‘I saw those old men, Japanese prisoners of war, and I thought: you shouldn’t ...”

“... Natalia Ginzburg, Shirley Hazzard, Doris Lessing and many other women writers are here (but not Anne Frank or Hannah Arendt), and among the more unexpected selections are the reminiscences of Soviet women, collected, Studs Terkel-wise, by Julia Voznesenskaya. The reaction to The Naked and the Dead perpetuated into peacetime one of the standard ...”

“... to his three masterpieces for Sondheim, Lapine has directed other plays, a revival of The Diary of Anne Frank, for example; he directed the film Impromptu, and wrote a few plays you haven’t heard of. It’s clear that, along with all the others – from Hugh Wheeler to Hal Prince (a six-time director for Sondheim), from Angela Lansbury to Bernadette ...”

“... Volume 1 thirty years later. It was translated into English two years after that: just in time for Anne Frank to read it in her secret Amsterdam annexe and to note, impressed, that Brandi had spent ‘forty years’ writing it. (It was, she hinted, tough going – ‘I read fifty pages in five days’ – but ‘Very interesting!’)Many eminent ...”

“... Morgan’, Davidson-Smith (‘overcoated’, ‘deerstalker-hatted’) and Freddie Fredericks, Frank Attercliffe’s aging and alcoholic mentor, and co-author with him of Pindar’s Weekend Round-up, a sports column on the Northern Post. After the match, in the Buckingham Bar, Fredericks introduces Frank to Phyllis ...”

“... of 1935, when he was 18, Robert Lowell and two friends from St Mark’s School – Blair Clark and Frank Parker – rented a house in Nantucket. Under Lowell’s direction, they studied the Bible (with special attention to the Book of Job) and ate cereal with raw honey and ‘badly’ cooked eels. Lowell decided that Clark should quit smoking and, when Clark ...”

“... of Duddy Kravitz. Moses Berger, drunk, attends the opening night of a dramatised Diary of Anne Frank in London. He dozes off and wakes during the poignant Hanukkah scene. Suddenly there was a crash from below the attic. The Green Police? The Gestapo? Everybody onstage froze. Straining to hear. For a few seconds there was total silence and then ...”

“... are not. Houppert wonders whether menstruation could be the trigger for the drop in confidence: Anne Frank, for example, seems in the later, post-menarche pages of her diary, to become less sure of herself, more secretive and withdrawn, more conflicted about her early sexual longings. The changes of puberty are gradual, but as Simone de Beauvoir ...”