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“... remember when he had last reread the novel.WritersI heard, from separate sources, that both Philip Roth and William Styron had pinned up above their desks a famous Flaubert aphorism, which Blake Bailey quotes in his Roth biography: ‘Be orderly and regular in your life, like a bourgeois, so that you may be wild ...”

“... arty B-movies, or B art-movies, at the same time that Lethem was writing Amnesia Moon, a homage to Philip K. Dick, and Gun, with Occasional Music, a homage to Chandler and Hammett; graffiti and other outsider art started appearing in museums and auction houses; and DJ-worship replaced the mid-century cult of the conductor. It’s possible, in other words, to ...”

“... and also inevitably baffle, bore, offend or annoy the hell out of everyone else’. The task, as Philip Roth once wrote, is ‘to impart the nuance, to elucidate the complication, to imply the contradiction … To allow for the chaos, to let it ...”

“... Can you name the author who set you thinking? For Philip French, at a Bristol grammar school in the 1950s, the enlighteners were Edmund Wilson, F.R. Leavis and Lionel Trilling. For me, at a Wimbledon grammar school in the 1950s, Bertrand Russell filled the slot on his own, largely because his History of Western Philosophy was so long ...”

“... a sex-starved manipulator in the role of professor and a passive lily as his student victim; Philip Roth’s The Dying Animal† goes further and paints a boastful sexual predator for whom all women students are ‘meat’, all conversation is foreplay, and all love is lust. The protagonists of The Dying Animal and its predecessor, The Human ...”

“... For Yang and Tomine, the canonical writer of Jewish assimilation is Babel’s American heir, Philip Roth, who transplanted the sphere of action from war to dating. Yang’s American Born Chinese (2006) relates the adventures of a Chinese boy called Jin Wang who so longs to be attractive to white girls that he manages to sublimate himself into a ...”

“... was the closest the country ever came to a genuine Fascist figurehead (a possibility imagined by Philip Roth in his remarkable counterfactual novel The Plot against America). Now that Fascism was dead, control of the skies could revert to being an all-American activity. The federal government was free to pour money into it like there was no ...”

“... a much more effective shield than is secrecy.’ And there are other, more subtle stratagems. Philip Roth once talked about writers of fiction as playing ‘the what-if game’: unless he’s content to sit like a spider in the middle of a novel-about-a-novel-about-a-novel, the writer is inevitably engaging in spreadsheeted counterfactuals about what ...”

“... tangled relationship between faith and community in America. But the American canon does include Philip Roth, as well as Don DeLillo and Thomas Pynchon, in whom Bloom found dark offshoots of the gnostic belief that the self is a shard of light which has its origins outside the creation, a belief he regarded as the foundation of the greatest American ...”

“... as just an author, in the way they think of authors even as popularly eminent as Salman Rushdie or Philip Roth. He’s a trendy-essay-topic catch-all, a figure half fact and half popular-culture fantasy, forever turning up in conspiracy theories and comic strips and on the World Wide Web. He’s an enigma, a beatnik hero. He is, in short, a ...”

“... Reformed, with a capital ‘R’, means Calvinist. The historian of the Jews in England was Cecil Roth, not Philip. Stephen Gosson never became a Catholic monk. Michel de Castelnau, the French ambassador, did not ‘trust’ that Elizabeth could be assassinated, and his secretary, Courcelles, did not become an English ...”

“... claims he has filled ‘the intellectual void that plagued me after James Baldwin died’. Philip Roth has been led to histories of American racism by Coates’s books. David Brooks credits him for advancing an ‘education for white people’ that evidently began after ‘Ferguson, Baltimore, Charleston and the other killings’. Even USA Today ...”

“... grumps – McCarthy to Edmund Wilson, who locked her in a room to force her to write, Sontag to Philip Rieff, the sociologist she met as a student at 17 and with whom she later co-authored Freud: The Mind of the Moralist – and Sontag took over McCarthy’s old lemonade stand as Partisan Review’s theatre reviewer. Lines of succession make for neat ...”

“... to the Jewish novel, which is free to juggle ideas in full view of the public: Bellow, Malamud, Philip Roth still avail themselves of the right, which is never, never conceded to us goys. In concluding, I might mention an unnsual solution to the problem. This was Robert Pirsig’s Zen and the Art of Motorcycle Maintenance, an American story of a ...”

“... and so he slips away from Prague in time. J.P. Stern imagines him fighting with the Partisans; Philip Roth finds him a poor teacher of Hebrew in Newark, New Jersey. Whatever his future when he leaves Prague, he becomes what he has always been, a refugee. Maybe (for there is no harm in dreams) he even lives long enough to find himself the great man he ...”