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“... Incidentally, they know you know they know you know the code.’ Peter Ustinov’s Cold War satire Romanoff and Juliet (1956) could have been about Salisbury Court, the London home in the early 1580s of the French Ambassador to the Court of Elizabeth I, Michel de Castelnau, seigneur de Mauvissière, an establishment described by John Bossy as ‘zany, convivial and leak-ridden ...”

“... Someone once said that if he looked at his watch at eight minutes past 11 on any Sunday morning, he could be certain that in ten thousand parish churches throughout the length and breadth of England untold thousands would be intoning the eighth verse of the Venite: ‘Today, if ye will hear his voice, harden not your hearts.’ We are not told why this perhaps fictitious person was not in church himself ...”

“... Eamon Duffy’s celebrated The Stripping of the Altars: Traditional Religion in England c.1400-c.1580 (1992), which opened our eyes to the vitality of late medieval English Catholicism, was a book born when its author learned to drive. The motor car diverted him from other historical pursuits and took him to those East Anglian churches which, after a century of drastic iconoclasm, and a later century of Victorian ‘restoration’, still conserve so many precious vestiges of that old religion ...”

“... What was it that Samuel Johnson said about Laurence Sterne’s unusual novel? ‘Nothing odd will do long. Tristram Shandy did not last.’ I wonder whether the Doctor would have said the same had he lived long enough to reach the end of The Antichrist’s Lewd Hat, whose odd title is only explained on page 584, when we come across a quote from The Alchemist ...”

“... Baghdad is now effectively a dozen different cities; they are all at war. On walls there are slogans in black paint saying ‘Death to Spies’. A Shia caught in a Sunni district will be killed and vice versa. Each side has its checkpoints: armed men in civilian clothes demand identity cards from drivers, and wave to one side those they suspect of being of the opposite religion; these people are then interrogated, tortured and killed ...”

“... It is a cold, clear morning, and the soldiers gathered at the airfield are singing ‘The Three Main Rules of Discipline’ as an American jet labelled ‘The Spirit of 76’ lands and taxis over to its appointed resting place. A hatch opens to reveal President Nixon. The former Red-baiter blinks before launching himself down the ramp slightly ahead of his wife, who is wearing a scarlet coat ...”

“... The nadir​ of Western media coverage of the wars in Iraq and Syria has been the reporting of the siege of East Aleppo, which began in earnest in July and ended in December, when Syrian government forces took control of the last rebel-held areas and more than 100,000 civilians were evacuated. During the bombardment, TV networks and many newspapers appeared to lose interest in whether any given report was true or false and instead competed with one another to publicise the most eye-catching atrocity story even when there was little evidence that it had taken place ...”

“... Alend Shoresh​ is a Kurdish farmer and teacher from north-east Syria who was conscripted into fighting Islamic State in 2018: he joined the Syrian Democratic Forces (SDF) for a year, as was obligatory for men aged between 18 and 30. After he was signed up, he and the other largely Kurdish conscripts were dismayed when they realised that the bus taking them to the front was travelling south, away from their homes near the Kurdish city of Qamishli ...”

“... Both these books are concerned with the sea in the days of the sailing Navy and with the nature of command, so much enhanced in distant waters when communication with government might take half a year rather than half a minute. Drake executed Doughty in Patagonia without a qualm; or at least without being disturbed for doing so when he came home. Mr Bligh’s Bad Language deals primarily with the mutiny of the Bounty, weaving the account in and out of an ethnographical discussion of life aboard men-of-war and of the political and spiritual life of the Polynesians, with great emphasis on their ideas of the sacred and of sacrifice ...”

“... John Keegan’s book is about the principles, strategy and tactics of warfare at sea and their evolution as it is exemplified in four great battles, Trafalgar, Jutland, Midway, and a critical period in that long struggle the Battle of the Atlantic. It is a strangely mixed book, some parts being quite remarkably good and quite unhackneyed, others dealing with matters that have been handled again and again, and doing so with no great originality ...”

“... Reading the Faber Book of English History in Verse in East London was like trying to hold Radio 3 on the FM band.* The wavelength was under fire from all sides, and its measured strains kept giving way to the outlandish rapping and toasting of the local pirate stations. Closing the minister’s volume in dismay, I noticed an image of Nelson dying at Trafalgar on the cover and set off in search of a place where I might try again ...”

“... Anthologies are powerful things: movements are launched, periods are parcelled up, writers are made and broken. They are, or want to be, the book world’s performative utterances: defining what they claim only to reflect, they make the things they speak of come to pass. But one last fin-de-siécle anthologising project remains: an anthology of anthology introductions ...”

“... Imagine a dream in which you are climbing a church tower in the dark. Stumbling, you reach out for something to hang on to and find that you are pulling at a bell rope, that the bell is waking up the entire town, and soon other towns far beyond. Within weeks you, the inadvertent bell-ringer, are both famous and infamous, and famous not for a few minutes but for ever ...”

“... Terry Eagleton’s books have been getting shorter recently. It is eight years since he offered to re-situate literary criticism on the ‘alternative terrain of scientific knowledge’; three since, self-canonised, he included his name in a list of major Marxist theoreticians of the 20th century. The Function of Criticism is a history of three centuries of English criticism in little more than a hundred pages ...”

“... Here’s something out of the quaint past, a man reading a book,’ remarks E.L. Doctorow’s narrator as he rides the New York subway. The other passengers in the subway are not readers but listeners, hooked to their earphones and tape-players, ‘listening their way back from literacy’. And before literacy? ‘The world worked in a different system of perception, voices were disembodied, tales were told ...”