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“... an expression of Britain’s shifting ‘governing traditions’. Both quote from the memoirs of John Robert Clynes, Labour leader between 1921 and 1922 and lord privy seal in 1924. Reflecting on meeting George V, Clynes could ‘not help marvelling at the strange turn of Fortune’s wheel’ that had brought him and his colleagues ‘to this pinnacle beside ...”

“... for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted by Polygon in ...”

“... other canonical poet of the English language, with the possible exception of his great antagonist John Milton, he was conscious of the previous uses by other writers of the words he deployed in his poems. But what exactly is the difference, one can’t help wondering while reading such notes, between an interesting allusion or echo and a mere verbal ...”

“... of the game (to be bent, broken and ignored) and the ferocity of the play remained the same. Roy Thomson, benign among proprietors, has come and gone, picking up a peerage in the process. So has Victor Matthews, moving from building-site to Fleet Street and out again in less than ten years. The free or cut-price offers of dictionaries and flower-pots in the ...”

“... though it wasn’t happening to me. I think that’s how I got the audience on my side.’ David Thomson admired Grant’s ‘rare willingness ... to take part in a fantasy without being deceived by it’. So much was he a self-parody in essence, or in style at least, that his play-acting nature became a running joke in his movies. ‘You’re just not ...”

“... Andrew McCarthy, Judd Nelson, Ally Sheedy, Molly Ringwald – almost any actor who appeared in a John Hughes teen film qualified). The Literary Brat Pack was a journalistic readymade, roping together a number of writers who may have scarcely known each other and treating them as a floating soirée. It was cartoonish and unfair to most of the individuals ...”

“... steals The Magnificent Seven not through hat-waving and underplaying, but because he laid siege to John Sturges to persuade him to increase the size of his role, and was charming and animated on-screen while everyone else was busy being dour. Charles Bronson and James Coburn were underplaying each other into inanimacy; Brynner was playing Gary Cooper. McQueen ...”

“... face lifted for the fourth time – the Doctors say no more), then Cecil [Beaton] and John Gielgud came to stay with us, and we went to Venice on Arturo Lopez’s yacht … Oh yes, I forgot Noel Coward – he fell in love with Jack. Jack hated it All. Later, in his thirties, he would tire also of the Greeks: ‘The children are so horrid: have ...”

“... emerged from mathematics and how the Duke of Devonshire built the lab that Clerk Maxwell, J.J. Thomson and Rutherford made synonymous with the history of physics; and how history and law were established by student demand. In later chapters he covers the vast proliferation of subjects and their departments – from modern languages to cosmology and from ...”

“... in the early 19th century convinced that it was, somehow, their home. Johann Burckhardt, William Thomson (known as Osman effendi), John Gardner Wilkinson, Robert Hay and Edward Lane also ‘went native’ on their travels. Like Champollion, they aped the robes and turbans of the Ottoman ruling class, browned their ...”

“... Oxford meeting, she writes, ‘a fine House was whipped up to vote for the honour. The dons at St John’s were simply told “the women are up to something in Convocation; we have to go and vote them down.”’ Lipscomb reports that she got only three votes besides her own, but the position of righteous defiance suited her. At the end of the pamphlet, she ...”

“... textures and amusing rhythms, novel for the time, and quite lean, like their author.’ Virgil Thomson later tried to explain why Bowles’s scores were so successful: ‘He does what nearly every musician in the world would say, on principle, can’t be done. He writes chamber music to accompany large theatrical productions . . . His emphasis comes from ...”

“... 1743, Anna Letitia Aikin was the product of a distinguished Unitarian background, the daughter of John Aikin, a revered teacher at the Warrington Academy. The academy was effectively the leading university for those dissenters who had enough money to get an education but who were forbidden by law to take degrees at Oxford or Cambridge. Although, like all such ...”

“... There is often a vacancy to his acting, which can give the illusion of mystery. The producer John Foreman recalled that Newman’s second wife, Joanne Woodward, once said to him: ‘If you think he’s thinking something, he’s not always thinking something.’In Cat on a Hot Tin Roof, Newman hardly moves his eyes when he speaks – only his mouth. We ...”

“... There is something off-key about all these jewels and feathers, braid and enamel and gold. When John Singer Sargent’s tremendous portrait of the colonial administrator Sir Frank Swettenham inspired Rebecca West to comment that ‘he looked as if he wasn’t quite a gentleman,’ was she showing her sensitivity to the excess of his display? To the ...”