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“... in the puritan tradition. This study by Sheila Kirk and the equally thoughtful photographs by Martin Charles that go with it at last set out the full evidence on which this claim can rest. Webb was 18 and embarking on an obscure apprenticeship in Reading when The Seven Lamps of Architecture came out in 1849. By the time he met Ruskin seven years later, he ...”

“... a scene from John Huston’s film Freud: The Secret Passion (1962), which re-creates one of Jean-Martin Charcot’s legendary demonstrations of hypnosis before an audience of doctors at the Salpêtrière. With magical ease, Charcot makes two patients’ hysterical symptoms disappear. As Micale notes, the scene is taken from André Brouillet’s well-known ...”

“... Breen, administer the 1930 Motion Picture Production Code, Hays helped create what the historian Francis Couvares described as ‘an industry largely financed by Protestant bankers, operated by Jewish studio executives and policed by Catholic bureaucrats, all the while claiming to represent grass-roots America’. For Carr, this sense of the movies as an ...”

“... possible. Circle, an ‘international survey of Constructive art’ edited by the architect Leslie Martin, the Constructivist sculptor Naum Gabo and the abstractionist Ben Nicholson, was published in 1937. Although they roped in a few contributors, such as Herbert Read, who were willing to give the Surrealists (for example) the time of day, only ...”

“... of the Ferns Report, written by a tribunal chaired by the former Irish Supreme Court judge Francis Murphy. Ferns is a diocese made up of County Wexford in the south-east of Ireland and parts of some of the bordering counties. The tribunal was set up by the Irish government because there seemed to be more clerical offenders in this diocese than in any ...”

“... vulcanite mouthpieces frequently containing debris with a more or less bad odour.’ In June, Dr Francis Allan, a medical officer of the City of Westminster, reported the results of tests done on swabs taken from the mouthpieces of transmitters in public call boxes. One had attached to it a ‘mass of whitish-grey viscid substance’. The viscid substance ...”

“... Corbin situates the Giants’ Causeway in Wales, quotes a remark supposed to have been made by Francis Bacon years after he was dead, and claims that King Lear tried to throw himself off the cliff at Dover. Such are the problems that arise in work of broader scope; the smells, good and bad, of the earlier book are mostly French, but the désir du rivage ...”

“... Hollywood, who realises that for someone that mean and tough there can be no permanent cure. Since Martin Scorsese’s Taxi Driver (1975) the Vietnam vet on the rampage has cropped up so frequently in American mythology he has become an icon of the country’s self-divisions and betrayals. Jones doesn’t present Baggit sentimentally or symbolically; if his ...”

“... gestation of Les Danaïdes, and of the relationship between Gluck and Salieri, is that of Joseph Martin Kraus, a young composer who encountered Gluck in Vienna in the winter and spring of 1782-83. According to Kraus, who does not seem to have had any reasons for partiality, Salieri worked on the opera as an amanuensis until Gluck abandoned it. He then took ...”

“... mentions Vespucci, whose accounts of his travels had been published by the German cartographer Martin Waldseemüller in a volume that included a map christening the newly found continents ‘America’. More added detail to lend his fantasy substance, including the Utopians’ alphabet, a woodcut of their croissant-shaped island resembling maps in ...”

“... Over the years, the story of his singularity was repeated so often that in 2014 his biographers Martin Lee-Browne and Paul Guinery could still claim that ‘Delius would spend his life composing music that bore no relationship to anything, good or bad, that had been written before.’Delius has been perceived this way in part because he wrote music that was ...”

“... suddenly discovered him. Empire of the Sun was shortlisted for the Booker Prize – making Martin Amis feel ‘as if the street drug-pusher had been made chairman of DuPont pharmaceuticals’ – and sold more than all Ballard’s previous books put together, even before it was turned into an Oscar-nominated film by Tom Stoppard and Steven ...”

“... fear and voyeurism that keeps us sitting in the darkened cinema. In homage to Powell’s cameo, Martin Scorsese cast himself in a scene in Taxi Driver, playing a voyeur spying on his adulterous wife from Travis Bickle’s cab. ‘You see the woman in the window? Good. I want you to see that woman ’cause that’s my wife. But that’s not my apartment ...”

“... and Picasso; he’s never shown and he has the most extraordinary life.’ He was referring to Francis Bacon. That year, Bacon exhibited Three Studies for Figures at the Base of a Crucifixion. After the two met, ‘the friendship,’ Feaver writes, ‘was to spur Freud for the next thirty years … Bacon was, he said, the “wildest and wisest” person he ...”

“... and more affecting, chief among them the subject’s hands. One hand alone may clutch the brow (Martin Luther King, 1961), support the whole skull (Cecil Beaton, 1951), point its index finger into the upper lip (Colette, 1952) or into the lower lip (Tony Hancock, 1962), or feel the forelock (Francis Bacon, 1981); two ...”