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“... they have more money.’ Though it is Hemingway’s riposte that sticks in the memory, Scott Fitzgerald’s belief in the difference of the rich has one thing to be said for it: it makes far more sense of the history of the novel. The rich and their doings are clearly over-represented in the house of fiction, and access to wealth almost invariably ...”

“... a voice at the start assures us that Robin Hood robbed the rich to feed the poor. But when Little John (a bear) asks Robin (a fox), ‘Are we good guys or bad guys?’ Robin hedges: ‘We never rob; we borrow a bit from those who can afford it.’ Later in the film, bad King John (a lion) tries to firm up the moral ...”

“... The chief pleasure of the new version of The Taking of Pelham One Two Three is the sight of John Travolta as the model bad guy. He is genial and livid by turns, entirely persuasive in both moods, the very image of crazed behaviour, and far more engaging and unhinged than he was in Pulp Fiction. That film brought certain of his earlier roles to mind, but this one makes us want to rethink Grease entirely, and maybe the whole genre of the musical ...”

“... when you feel you need a reminder of the timeframe. Now we move back to 1970, when Milk picks up Scott Smith (James Franco – last seen, by me at least, in the Spider-Man movies) in the New York subway, finds himself in a lasting relationship, comes out of the closet and moves to California, shedding his suit for denims and growing a beard and ponytail. He ...”

“... John Major’s vision of Britain is history by now: a unitary state north and south of the Tweed, secured by consent, subject to one monarch and funded by a non-tartan tax system. When Major first published his views, however, in the punningly titled Historia Maioris Britanniae (1521), his innovativeness upset fellow Scots ...”

“... England forty years ago, the press was an honourable estate. At the centenary of the birth of C.P. Scott, The Making of the ‘Manchester Guardian’ was an ideal anthology for a sixth-form prize on Speech Day. Here were Scott’s lieutenants: W.T. Arnold, grandson of Arnold of Rugby; L.T. Hobhouse, social philosopher and ...”

“... goddess never left the plucky Eisenhower country mapped by these ‘artworks’. Everyone from John Baldessari to the Rev. Howard Finster recombines tulle and Disney, winged sunglasses and King Kongs with the truly scary hairy monster which has been bought 800 million times. The introduction is helpful about that figure: ‘imagine the population of India ...”

“... Uncollected Short Stories of J.D. Salinger, a book about the ‘Catholic sensibility’ of F. Scott Fitzgerald, Blake Morrison’s The Movement, Martin Amis’s Success, Tony Tanner’s Adultery in the Novel, Graham Greene’s Ways of Escape, Mailer’s The Executioner’s Song, Truman Capote’s Music for Chameleons, the Oxford American Dictionary, two ...”

“... They took careful note of the lie of the land as well as the debris on the surface. Walter Scott was there, on his first trip abroad. By August, when he arrived, the site was a tourist attraction doing a roaring trade. ‘Men, women and children rushed out upon us, holding up swords, pistols, carabines and holsters,’ ...”

“... narrator, one which was normal for the later 19th-century novelist but was avoided on the whole by Scott – an instinctively crafty storyteller – as it was even by Dickens. Clearly the kinds of historical inanity – anecdote, local colour, ‘picturesque’ speech – which were the stock-in-trade of the genre, soon exasperated Pushkin, and he abandoned ...”

“... Selwyn Lloyd, to the Walter Reed Hospital in Washington to visit the American Secretary of State John Foster Dulles, who had been discovered to have cancer during the week of the Suez war. Towards the end of the conversation, Dulles suddenly asked ‘Selwyn, why did you stop? Why didn’t you go through with it and get Nasser down?’ The British visitors ...”

“... within that sentence, and so within the bookcase, is given to ‘the Waverley novels of Sir Walter Scott’. It is Waverley itself which defines the kind of success gained here, for it is Waverley which Donald Davie celebrated in these terms in The Heyday of Sir Walter Scott: ‘The hero in the lost-father fable has to be ...”

“... the antecedents of Webb’s Red House in the work of Butterfield and Pugin and indeed in John Nash, who might claim, if any one architect could, to have invented the architecture Muthesius so admired. But to the Edwardians Nash was still despicable as a stucco-peddling Neoclassicist, his houses ‘cheerless’ and ‘rectangular’. It was to the ...”

“... thank it for that and ask no more of it.’ The Trevelyans were synthetic Border Whigs as Sir W. Scott was a synthetic Border Tory. It is doubtful whether the great families of Northumbria quite saw the Regius Professor and Cambridge master as the representative of landed tradition – the mask he wore in Cambridge. For one thing, his Tory acquaintance was ...”

“... it runs north into Baffin Bay. In 1585, on returning from his first voyage to find the passage, John Davis wrote to Francis Walsingham that ‘the northwest passage is a matter nothing doubtful.’ Thirty years later, William Baffin wrote to one of his financial backers that ‘there is no passage nor hope of passage.’ Baffin did see a lot of whales ...”