At Tate Britain
Rosemary Hill: Aubrey Beardsley, 24 September 2020
“... might be short, his art matured at hectic speed. Its roots were among the Pre-Raphaelites. Burne-Jones was an early champion and the dishevelled androgynous figure in Withered Spring, a drawing of 1891, has the heavy, sensuous eyes and mouth of Jane Morris. A year later, in Incipit Vita Nova, they had gone. An impassive female head with closed eyes faces a ... ”