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Slipper Protocol

Peter Campbell: The seclusion of women, 10 May 2001

Harems of the Mind: Passages of Western Art and Literature 
by Ruth Bernard Yeazell.
Yale, 314 pp., £22.50, October 2000, 0 300 08389 0
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... landscape painters have chosen subjects close to home. Those who decided to go East – like David Roberts and Edward Lear – tend to be of the second rank. Writers, too, grow strong on a diet of familiar material. Harems of the Mind is mostly an account of talent betrayed by ignorance into shallowness or excess; only a few spirits were strong enough to ...

The road is still open

David Wootton: Turpin Hero?, 3 February 2005

Dick Turpin: The Myth of the English Highwayman 
by James Sharpe.
Profile, 258 pp., £8.99, January 2005, 1 86197 418 3
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... and it is left behind … He was gone, like a meteor, almost as soon as he appeared. Peter Campbell described Turner’s Rain, Steam and Speed – The Great Western Railway of 1844 as an exercise in ‘the poetry of speed’ (LRB, 3 June 2004). Rookwood was written a decade earlier. The Great Western was yet to be built; work on the London and ...

At The Hutton Enquiry

Daniel Soar: Hutton’s Big Top, 11 September 2003

... end pick up the pieces. And it will. Downing Street’s first-choice strategy for the outing of David Kelly – writing, semi-publicly, to the Intelligence and Security Committee to offer him as a witness – was vetoed by Ann Taylor MP, the Committee’s chairman, whose staff refused to be sent the suggested letter. In her testimony to the Inquiry, Taylor ...

Under the Staircase

Robert Neild, 1 April 1983

War Plan UK: The Truth about Civil Defence in Britain 
by Duncan Campbell.
Burnett, 488 pp., £12.95, November 1982, 0 09 150670 0
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With Enough Shovels: Reagan, Bush and Nuclear War 
by Robert Scheer.
Secker, 279 pp., £8.95, February 1983, 0 436 44355 4
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... compulsive polemical approach to events and to their obsession with the Soviet threat.’ Duncan Campbell’s purpose is to expose and document the evolution of the British Government’s plans for civil defence. He has been at work for years taking the lid off those aspects of defence and intelligence where the Government uses secrecy to keep us ignorant of ...

Poor Jack

Noël Annan, 5 December 1985

Leaves from a Victorian Diary 
by Edward Leeves and John Sparrow.
Alison Press/Secker, 126 pp., £8.95, September 1985, 0 436 24370 9
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... another lodging. I really think the whole world is gone mad ... In the park I had a glimpse of a Campbell but I was loaded with Oranges and could not stop which I afterwards repented of.’ A Campbell was the codeword for one of the Blues; and the reason Leeves was thrown out of his lodgings was that his landlord objected ...

To hell with the lyrics

Peter Campbell, 25 March 1993

The Collected Writings of Robert Motherwell 
edited by Stephanie Terenzio.
Oxford, 325 pp., £35, April 1993, 0 19 507700 8
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... something much deeper and blacker, that we all respected’. In an obituary of the sculptor David Smith he describes the good times they had and adds: ‘we both knew damned well the black abyss in each of us that the sun and the daughters’ skin and the bounty and the drink could alleviate but not begin to fill, a certain kind, I suppose of ...

Royals in Oils

Peter Campbell, 13 November 1997

The Sweetness of Life: A Biography of Elizabeth Louise Vigée Le Brun 
by Angelica Goodden.
Deutsch, 384 pp., £19.99, June 1997, 0 233 99021 6
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... When the Paisiello portrait was exhibited in the Salon of 1791 it won extravagant praise from David, who thought a man could not have done better. The Queen of Naples herself insisted on a portrait. ‘This princess of whom so much ill has been spoken and written, was affectionate by nature and very simple in her private life; her generosity was truly ...

Just what are those teeth for?

Ian Hamilton, 24 April 1997

... All in all, I get the feeling that TV overrates its audience’s blood-lust, or squirmlust. Take David Dimbleby’s grilling of Tony Blair on Panorama. Most of the interview was spent raking over Blair’s Old Labour past. At first this line seemed fair enough. Blair, after all, had on that very day been assuring his new City chums that almost nothing the ...

New Looks, New Newspapers

Peter Campbell, 2 June 1988

The Graphic Language of Neville Brody 
by Jon Wozencroft.
Thames and Hudson, 160 pp., £14.95, April 1988, 0 500 27496 7
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The Making of the ‘Independent’ 
by Michael Crozier.
Gordon Fraser, 128 pp., £8.95, May 1988, 0 86092 107 7
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... solutions. These may have few advantages: the re-design of the Guardian by a typographer (David Hillman) has resulted in a gawkier paper than the one the suave types at the Independent produce. Printing has produced most of its own best historians – Blades, Morison, Updike. Perhaps it is a sign of the growing division between reading and designing ...

Hit and Muss

John Campbell, 23 January 1986

David Low 
by Colin Seymour-Ure and Jim Schoff.
Secker, 180 pp., £9.95, October 1985, 9780436447556
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... In its own small sphere, the destruction by Express Newspapers of the Beaverbrook Library must rank as one of the worst acts of intellectual vandalism in recent years. No one who had the privilege of working there during its brief existence in the late Sixties and early Seventies will ever forget it. There, instantly accessible in their sliding metal racks, were the Lloyd George, Bonar Law, Beaverbrook and other papers; on a quiet day, when one was trusted, one could actually get out one’s own files ...

Global Moods

Peter Campbell: Art, Past and Present, 29 November 2007

Mirror of the World: A New History of Art 
by Julian Bell.
Thames and Hudson, 496 pp., £24.95, October 2007, 978 0 500 23837 0
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... art can make and the support it can give to bad government are evident in Bell’s treatment of David (‘this cheerleader-cum-weathervane’) and the Death of Marat. He tracks its ‘terse, glare-lit, blocked-off pictorial space’ back to Caravaggio and Artemisia Gentileschi, and the genre, the martyr-portrait, to religious art: ‘...

The Way of the Wobble

Peter Campbell: Ove Arup, 5 April 2007

Ove Arup: Masterbuilder of the 20th Century 
by Peter Jones.
Yale, 364 pp., £25, November 2006, 0 300 11296 3
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... are a proper visible expression of forces at work on the structure. The final result, according to David Newland, technical adviser to the bridge’s funding body, is ‘probably the most complex passively-damped structure in the world’. (In an actively-damped system an input of energy is required to answer the force with a counterforce; in a passive ...

So, puss, I shall know you another time

Peter Campbell, 8 December 1988

The World through Blunted Sight 
by Patrick Trevor-Roper.
Allen Lane, 207 pp., £16.95, August 1988, 0 7139 9006 6
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Visual Fact over Verbal Fiction 
by Carl Goldstein.
Cambridge, 244 pp., £40, September 1988, 0 521 34331 3
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Hockney on Photography: Conversations with Paul Joyce 
Cape, 192 pp., £25, October 1988, 0 224 02484 1Show More
Portrait of David Hockney 
by Peter Webb.
Chatto, £17.95, November 1988, 0 7011 3401 1
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... in modern eyes may lie in perceptual as well as in cultural embarrassment. A laconic note from David Hockney prefaces Paul Joyce’s conversations with him. It ends: ‘My photographer friends said it wasn’t really photography but painting. I’m not so sure, but I think that’s where I’d like to leave it.’ Whether it is ‘it’ the work or ...

Phwoar!

Suzanne Moore: Amanda Platell, 6 January 2000

Scandal 
by Amanda Platell.
Piatkus, 297 pp., £5.99, November 1999, 0 7499 3119 1
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... Behind every great man is a great spin-doctor. Tony Blair has gorgeous pouting Alistair Campbell, exhack, ex-alcoholic, ex-pornographer, all-round thug and family-values man. What a guy! William Hague meanwhile is not a great man and behind him is Sebastian Coe. Lately, however, he has employed the services of another gorgeous ex-hack, Amanda Platell, fun-loving Aussie, the femme fatale of the Mirror Group, ex-editor of the Sunday Express, and now would-be novelist ...

Instant Depths

Michael Wood, 7 July 1994

The Cryptogram 
by David Mamet.
The Ambassador's Theatre
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A Whore’s Profession: Notes and Essays 
by David Mamet.
Faber, 412 pp., £12.99, June 1994, 0 571 17076 5
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... The earlier plays of David Mamet seemed to spring from a meeting between Arthur Miller and Harold Pinter, as if the characters from The Caretaker or The Homecoming had caught the American anxieties of Death of a Salesman. Pinter is also never far from the later plays, and he directed Oleanna in London; but other, more oblique influences now hover in the air ...

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