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“... long time pretty feeble: in 1509 they were conspicuous for not being among the 48 companies which took part in Henry VII’s funeral procession. By the 1530s, though, things were perking up, at least if we take the seating plan for a lord mayor’s feast as a marker of prominence in the City: four stationers shared a table with a mix of ...”

“... in a wholesale way only once. It was dressed in stucco when new, under the general direction of John Nash. It formed the central portion of his grand north-south route from Regent’s Park to Carlton House (demolished in 1827, only a year after the building work in Regent Street was complete). The Victorians made inroads on Nash’s scheme; the Quadrant ...”

“... In 1865, a year after John Clare’s death in the Northampton General Lunatic Asylum, Frederick Martin, a former amanuensis of Thomas Carlyle, published the first biography of the ‘peasant poet’. It laid the foundations, Jonathan Bate says in his new Life, ‘for both the enduring myths and some of the key truths about Clare ...”

“... One of the more extraordinary revelations in A Better Class of Person, the first volume of John Osborne’s memoirs, was the fact that the author was proposed as the leading man in the 1948 film The Blue Lagoon. The teenage Osborne by his own account had a hollow chest and acne, and a loin cloth would not have shown these off to advantage; the opportunity to loll among the palms with Jean Simmons went to the Welsh actor Donald Houston ...”

“... centrality in British culture. Characteristically feeble echoes of this assault were evident in John Major’s recent sneering at ‘progressive theorists’, but some years ago the real emotional dynamic was laid bare, indecently bare, by (as usual) Norman Tebbit, who extolled ‘the man in the pub’ against the upper-class ‘cocktail set’ on the ...”

“... John Betjeman was the voice of postwar Englishness: at best, humorous, quirky and enthusiastic about some of the oddest things; at worst, parochial and smug shading into bitter. How ironic, in view of later developments and the argument of Timothy Mowl’s book, that Nikolaus Pevsner’s first visit to England, in 1930, was to research a new topic: Englishness in art ...”

“... every ten years. Her book falls into three main periods, beginning with the German immigrant John Jacob Astor (1763-1848) who founded the family fortunes in the fur trade. Those engaged in it were prepared to suffer appalling physical hardship in the frozen North and to ruin the Indians and one another as opportunity arose. The first ...”

“... It’s been two years since the last one, so it must be time for a new book of poems by John Ashbery. Like the old James Bond films, Ashbery’s late instalments arrive punctually, and you buy your ticket knowing what to expect: a suave cartoon with ridiculous gadgets, clever one-liners and last-minute escapes. ‘So Long, Santa’, the penultimate poem in Ashbery’s previous collection, A Worldly Country (2007), worried that ‘it will come round again/and we won’t be ready ...”

“... the centuries. Basic principles were distinguished, the aim was to keep them intact; the courts took a practical and open-minded interest in new applications. How the Bible Became a Book shows that the adherents of the oral Torah were similarly flexible: they philosophised about their unwritten law, identified its basic principles, made changes while ...”

“... and Bankside. The institution has in fact often changed identity. It began by being British but took on a North American look. The dust-jacket shows the austere lonic Portland stone sculpture hall. Spalding observes, justly, that by insisting on the intervention of the American architect John Russell Pope in 1929 the ...”

“... and fashionable and more interesting than they were; the Andy who sucked up to Imelda Marcos and took tea with the Shah of Iran; the Andy who knew how the Bomb had maimed us, how television had made us, how money was everything, and everything was glorious. Warhol became a virtual-reality show starring himself: Andrew Warhola playing ‘Andy’ better than ...”

“... and institutions, all run by and serving African Americans. To be sure, as the Black historian John Hope Franklin, who spent his early years in Tulsa, pointed out in his memoirs, the label ‘Black Wall Street’ was a bit of a misnomer. Most of the residents worked as cooks and maids in the homes of white Tulsans and many lived in rented rooms or shacks ...”

“... 1960s were a great era of collage in all sorts of media: not just Robert Rauschenberg, but also John Ashbery and Bob Dylan. For Barthelme, it wasn’t simply a matter of playing with found forms or language. That was ‘cheapo surrealism’. Instead his stories explore situations (‘The Party’, ‘Brain Damage’, ‘City Life’) that are experienced as ...”

“... invention. In the new universities and colleges of the 19th century, where literary criticism took wing as an academic subject, literature and history were commonly taught together. The Shakespearean critic A.C. Bradley and the historian J.S. Brewer had chairs in literature and history. In the 1870s the subjects might have grown up as a single faculty at ...”

“... municipal gardens, bent over their spades and forks in regulation red hats and green waistcoats (John Major’s father was a gnome-fancier, founding Major’s Garden Ornaments in 1930). The arrival of concrete and then plastic saw their once fine features blunted for the mass market and today’s gnome population, Twigs Way tells us in Garden Gnomes: A ...”