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“... inheritances of Ulster: The linen mills, the long wet grass, the ragged hawthorn. And one read black where the other read white, his hope The other man’s damnation: Up the Rebels, To Hell with the Pope, And God Save – as you prefer – the King or Ireland However, one of the most important reclamations of recent years is the group of translations, by ...”

“... the more provocative he becomes. The quotes about the IRA, the Royal Wedding, gay rights and black pride continue to flow; his wretched Labour group on the GLC have often paid the price, pockmarked by the shower of missiles aimed at their leader and obliged to watch many of their most ‘popular’ measures obliterated from view by the latest scandal ...”

“... betide Neil Kinnock or Roy Hattersley if he turns out to be a quintessentially decent fellow like Michael Foot. Churchill was not altogether decent, otherwise he would have been a lesser man. Gilbert records his magnanimous gestures, such as the considerate letters written to the dying Neville Chamberlain, or the glorious episode of the Bovril and ...”

“... that is given of the son’s avant-gardism. Having gone for a prevailing, historically appropriate black-and-white, Reitz himself is avant-garde enough to fleck the film with colour as a heightening for critical moments. In the context of the film at large, however, these dabs and flecks could be thought an alien feature – caviare to the general, Stockhausen ...”

“... will culminate in an expertly targeted head-butt. Her mother’s swashbuckling new lover, Connor (Michael Fassbender), seems like a good thing, with his easy charm and his largesse; until, aroused by Mia’s pugnacity, he starts to groom her for sex. Like Katie in Red Road, she exacts a revenge as cunning as it is ferocious. But for her there will be no ...”

“... W.G. Sebald (say), whereas really it is Vertigo, a version of Sebald’s Schwindel. Gefühle. by Michael Hulse. In the Belfast poems, the movement of words from one place or voice to another is a focus of attention. Carson encourages us to see that the slightest transposition matters. When he writes, ‘Spokesman for censored political party spoke in someone ...”

“... organised charity concerts, a sleep-out in front of the Home Office, and managed to secure the QC Michael Mansfield’s services pro bono. By and large, the campaign was a success: it brought the pair home. Their names were never cleared, but their sentences were reduced at appeal, and they were not sent back to prison after the hearing. Some of Masters’s ...”

“... is a tantalising suspicion of bitterness when the wine hits the top of the palate.’ Christie’s Michael Broadbent recently recalled the heyday of this style: I do like a bit of pure poetry, my favourite author being the late and great André Simon. At the end of a lunch at the Hind’s Head in Bray . . . his host asked Simon for his first reaction to the ...”

“... nowadays tends to go unnoticed: he looked the part. A bulbous, bald dome, along with some receding black hair and dark moustache, produced a quirky resemblance to Lenin. Although his biographer John Bew finds the likeness ‘somewhat forced’, he notes that contemporary observers as different in their politics as George Orwell and the Daily Mail made sport ...”

“... If​ universities had been an invention of the second half of the 20th century,’ Michael Dummett wondered in his last book, The Nature and Future of Philosophy (2010), ‘would anyone have thought to include philosophy among the subjects that they taught and studied?’ Dummett’s anxiety wasn’t whether philosophy could survive at a time when the value of a university education is gauged in increasingly reductive, economic terms ...”

“... were funny; he describes a ‘concussion forum’ at Twickenham in 2013 at which a doctor called Michael Turner played videos of jockeys falling on their heads, to laughs. One strand of the book follows the story of Jeff Astle, a former professional footballer who developed early-onset dementia and whose family have since campaigned for awareness of the link ...”

“... town, so featureless and undetailed that it seemed designed to be seen only in passing, in the black gummy frame of a carriage window. But the ‘libr’ in there was enticing, though a huge exaggeration, and the ‘amont’ was poetic – en amont in French means ‘upstream’ – so the place had a promising swagger to it, in name at least. Rimbaud ...”

“... that a man could disappear while lying still in a peat bog – just as long as he was wearing black boots, a stone-coloured cap, a waistcoat the colour of a peat hag and knickerbockers as green as grass. It was not until December 1915 that Solomon was asked to visit the French camouflage workshop at Amiens, and to join others in developing a British ...”

“... be kept green against the possible arrival of the men in white coats. 19 January. Watch a video of Michael Powell’s A Matter of Life and Death (1946), the first time, I think, that I have watched it all the way through since I saw it as a child at a cinema in Guildford. Then its particular interest was that the village scenes featuring the local doctor ...”

“... as ‘going home’. It seemed so easy when music did it: who wouldn’t want to swat away those black accidentals and come back to sunny C major? These satisfying resolutions are sometimes called ‘perfect cadences’; there is a lovely subspecies called the ‘English cadence’, used often by composers like Tallis and Byrd, in which, just before the ...”