Parodies
Barbara Everett, 7 May 1981
“... Dry Salvages’ in structure and style parodistic of the quartets that preceded it. This proposal took off from an idea of Hugh Kenner’s, and any theory with two such exceptionally able sponsors needs treating with respect. The element of likelihood in this one derives from the way it locates Eliot’s work within that ‘Age of Criticism’ which Modernism ... ”