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What Life Says to Us

Stephanie Burt: Robert Creeley, 21 February 2008

The Collected Poems of Robert Creeley: 1945-75 
California, 681 pp., £12.55, October 2006, 0 520 24158 4Show More
The Collected Poems of Robert Creeley: 1975-2005 
California, 662 pp., £29.95, October 2006, 0 520 24159 2Show More
On Earth: Last Poems and an Essay 
by Robert Creeley.
California, 89 pp., £12.95, April 2006, 0 520 24791 4
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Selected Poems: 1945-2005 
by Robert Creeley, edited by Benjamin Friedlander.
California, 339 pp., $21.95, January 2008, 978 0 520 25196 0
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... For a spell during the 1960s, Robert Creeley’s ‘I Know a Man’ may have been the most often quoted, even the most widely known, short poem by a living American. Here is the poem: As I sd to my friend, because I am always talking, – John, I sd, which was not his name, the darkness sur- rounds us, what can we do against it, or else, shall we & why not, buy a goddamn big car, drive, he sd, for christ’s sake, look out where yr going ...

Between centuries

Frank Kermode, 11 January 1990

In the Nineties 
by John Stokes.
Harvester, 199 pp., £17.50, September 1989, 0 7450 0604 3
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Olivia Shakespear and W.B. Yeats 
by John Harwood.
Macmillan, 218 pp., £35, January 1990, 0 333 42518 9
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Letters to the New Island 
by W.B. Yeats, edited by George Bornstein and Hugh Witemeyer.
Macmillan, 200 pp., £45, November 1989, 0 333 43878 7
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The Letters of Ezra Pound to Margaret Anderson: The ‘Little Review’ Correspondence 
edited by Thomas Scott, Melvin Friedman and Jackson Bryer.
Faber, 368 pp., £30, July 1989, 0 571 14099 8
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Ezra Pound and Margaret Cravens: A Tragic Friendship, 1910-1912 
edited by Omar Pound and Robert Spoo.
Duke, 181 pp., £20.75, January 1989, 0 8223 0862 2
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Postcards from the End of the World: An Investigation into the Mind of Fin-de-Siècle Vienna 
by Larry Wolff.
Collins, 275 pp., £15, January 1990, 0 00 215171 5
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Rites of Spring: The Great War and the Birth of the Modern Age 
by Modris Eksteins.
Bantam, 396 pp., £14.95, September 1989, 0 593 01862 1
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Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1916-1925 
by Kenneth Silver.
Thames and Hudson, 506 pp., £32, October 1989, 0 500 23567 8
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... moved on, surely reasonably, to 1914-18. Reminiscent in some ways of Paul Fussell’s work, and of Robert Wohl’s The Generation of 1914 in others, this book has a thesis. Like Wolff’s, it works outward from particular occasions to generalisations. One is the first night of Le Sacre du Printemps in May 1913, ‘a milestone in the development of ...

Spender’s Purges

Frank Kermode, 5 December 1985

Collected Poems 1928-1985 
by Stephen Spender.
Faber, 204 pp., £4.95, November 1985, 0 571 13666 4
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A Version of the Oedipus Trilogy of Sophocles 
by Stephen Spender.
Faber, 199 pp., £12.50, November 1985, 0 571 13834 9
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Journals 1939-1983 
by Stephen Spender, edited by John Goldsmith.
Faber, 510 pp., £15, November 1985, 0 571 13617 6
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... of dancing. Altogether the choruses are less richly rendered than they are in the translation by Robert Fagles, but the austerity is deliberate and this whole work is very cool and restrained. It results from an independent approach to Sophocles, and the introduction offers a personal reading of the plays which is both interesting and quite unlike the way ...

Modernisms

Frank Kermode, 22 May 1986

Pound, Yeats, Eliot and the Modernist Movement 
by C.K. Stead.
Macmillan, 393 pp., £27.50, March 1986, 0 333 37457 6
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The Myth of Modernism and 20th-century Literature 
by Bernard Bergonzi.
Harvester, 216 pp., £25, January 1986, 0 7108 1002 4
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The Innocent Eye: On Modern Literature and the Arts 
by Roger Shattuck.
Faber, 362 pp., £15, March 1986, 0 571 12071 7
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... The antiquity of this figure is the subject of a very learned and also very amusing book by Robert Merton; the received wisdom is that it goes at least as far back as the 12th century. So there is nothing very modern about worrying about what it means to be modern, and even if you think that being modern requires a total rejection of the past, like ...

Damn all

Scott Malcomson, 23 September 1993

Culture of Complaint: The Fraying of America 
by Robert Hughes.
Oxford, 224 pp., £12.95, June 1993, 0 19 507676 1
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... or I find I lose ground ‘I am nothing, if not critical.’ The predicament is one which Robert Hughes shares with Hazlitt, of whom Keats gamely wrote: ‘if ever I am damn’d – damn me if I shouldn’t like him to damn me.’ In Culture of Complaint (a bestseller in the US), Hughes damns damn near everybody. He follows the uncompromising American ...

Homage to André Friedmann

Peter Campbell, 7 November 1985

Robert Capa 
by Richard Whelan.
Faber, 315 pp., £15, October 1985, 0 571 13661 3
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Robert Capa: Photographs 
edited by Cornell Capa and Richard Whelan.
Faber, 242 pp., £15, October 1985, 0 571 13660 5
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... to the full-page portrait of the photographer read ‘The Greatest War-Photographer in the World: Robert Capa’. Life also ran the story and described how Capa had crossed the river Segre with the troops the night before the action. During the next few years Capa filed pictures of war and its aftermath from China, Normandy, Sicily and Africa. His pictures of ...

Henry Hill and Laura Palmer

Philip Horne, 20 December 1990

... her (she makes him hit her during sex); and he falls into the hands of the swaggering evil abuser Frank, whose punchline, before Jeffrey is horribly beaten, is: ‘You’re like me.’ That Jeffrey has struck Dorothy makes this plausible: we see him later weep with remorse at the memory, and it gives him something to expiate at the climax, in which he ...

Half-Way up the Hill

Frank Kermode, 7 July 1988

Young Betjeman 
by Bevis Hillier.
Murray, 457 pp., £15.95, July 1988, 0 7195 4531 5
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... grew friendly with Kenneth Clark, John Sparrow, Henry Yorke, Alan Pryce-Jones, Osbert Lancaster, Robert Byron, Anthony Powell, Peter Quennell, Tom Driberg, Harold Acton, Christopher Sykes, Randolph Churchill, W.H. Auden, and lots of others, including Gaitskell once more (‘Hugh, may I stroke your bottom?’ ‘Oh, I suppose so, if you must’). With Auden ...

Sacrifice

Frank Kermode, 14 May 1992

The Gonne-Yeats Letters, 1893-1938 
edited by Anna MacBride White and A. Norman Jeffares.
Hutchinson, 544 pp., £25, April 1992, 0 09 174000 2
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... socialism of James Connolly, two of the 16 who, along with MacBride, were executed in 1916. Robert Wohl in his book The Generation of 1914 writes about the vogue of martial mysticism that took hold all over Europe at the time, and Ireland was not immune. Hindsight may regard it as unhealthy, largely because of the fate of that generation, but also ...

No Tricks

Frank Kermode: Raymond Carver, 19 October 2000

Call If You Need Me: The Uncollected Fiction and Prose 
by Raymond Carver.
Harvill, 300 pp., £15, July 2000, 1 86046 759 8
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... for a response, but there was none. Carver’s British reception has taken a little time. The Robert Altman movie Short Cuts, of 1993, based on nine stories and a poem of Carver’s, helped to get him wider notice. Among the stories incorporated in the film were ‘A Small, Good Thing’ – the one about the bereaved couple and the exigent baker – and ...

How did we decide what Christ looked like?

Frank Kermode: How Jesus Got His Face, 27 April 2000

The Image of Christ 
edited by Gabriele Finaldi.
National Gallery, 224 pp., £14.95, February 2000, 1 85709 292 9
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... The emphasis being steadily on the Incarnation, the mortal nature of the child is always relevant. Robert Campin’s The Virgin and Child in an Interior, of about 1430, fills what may look to us like a simple idea with recondite symbolisms: even the position of the child’s left hand is important, for he touches his mother’s face with a conventional ...

Pillors of Fier

Frank Kermode: Anthony Burgess, 11 July 2002

Nothing like the Sun: reissue 
by Anthony Burgess.
Allison and Busby, 234 pp., £7.99, January 2002, 0 7490 0512 2
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... are of course novels about Jesus – in fact, Burgess wrote one of them, Man of Nazareth – and Robert Graves did Milton as well as Jesus and Claudius. Doubtless there are many more such biographical novels, forgotten or unread by me. They don’t seem very popular, though there was Lloyd Douglas’s bestselling The Robe, which amazed the experienced Edmund ...

Who has the gall?

Frank Kermode: Sir Gawain and the Green Knight, 8 March 2007

Sir Gawain and the Green Knight 
translated by Bernard O’Donoghue.
Penguin, 94 pp., £8.99, August 2006, 0 14 042453 9
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Sir Gawain and the Green Knight 
translated by Simon Armitage.
Faber, 114 pp., £12.99, January 2007, 978 0 571 22327 5
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... was getting started, to a Yorkshire collector, Henry Savile, and then to the antiquary Sir Robert Cotton, whose books came mostly from the dissolution of the monasteries. The Cottonian library also contained the sole extant copy of Beowulf, which in 1731 narrowly escaped destruction in a serious fire. After a spell in the Bodleian the collection ...

The Duckworth School of Writers

Frank Kermode, 20 November 1980

Human Voices 
by Penelope Fitzgerald.
Collins, 177 pp., £5.25, September 1980, 0 00 222280 9
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Winter Garden 
by Beryl Bainbridge.
Duckworth, 157 pp., £5.95, October 1980, 0 7156 1495 9
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... good or ill crops up again: the recumbent wife’s blue-cotton gloves, the allusion to dead uncle Robert, who once posthumously materialised in a bus queue at Hendon, and later in the winter garden. The winter garden of Russia is the scene of a good deal of materialisation. Ashburner loses his suitcase but it turns up, interfered with; Nina disappears more or ...

Turtle upon Turtle

Christian Lorentzen: Nathan Englander, 22 March 2012

What We Talk about When We Talk about Anne Frank 
by Nathan Englander.
Weidenfeld, 207 pp., £12.99, February 2012, 978 0 297 86769 2
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... in the title story of Nathan Englander’s collection What We Talk about When We Talk about Anne Frank. Two Jewish couples drinking and smoking pot one afternoon in Florida call it ‘the Anne Frank game’. If a second Holocaust were to start up, which of their Gentile neighbours would give them a hiding place? Then they ...

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