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Whitehall Farce

Paul Foot, 12 October 1989

The Intelligence Game: Illusions and Delusions of International Espionage 
by James Rusbridger.
Bodley Head, 320 pp., £12.95, August 1989, 0 370 31242 2
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The Truth about Hollis 
by W.J. West.
Duckworth, 230 pp., £14.95, September 1989, 0 7156 2286 2
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... a week goes by without the enemies of official secrecy having good cause to sing the praises of James Rusbridger. From his Cornish retreat he sprays the correspondence columns of newspapers with volleys of good sense and good humour. This bluff, meticulous man spent much of his youth as a British businessman in Europe, where he worked in a dilatory sort of ...

Diary

Hamish MacGibbon: My Father the Spy, 16 June 2011

... Immediately after the declaration of war in September 1939, my father, James MacGibbon, volunteered to join the Royal Fusiliers and was commissioned as a second lieutenant. Openly a Communist, he was disobeying the Party line (the Molotov-Ribbentrop Pact had decreed it a ‘capitalist war’), but James was not in any doubt ...

To the crows!

James Davidson, 27 January 1994

The Oldest Dead White European Males, and Other Reflections on the Classics 
by Bernard Knox.
Norton, 144 pp., £12.95, September 1993, 0 393 03492 5
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... citizen, described by Robert Fagles as ‘arguably the finest Classicist of our day’, by Peter Green as one his nation ‘ought to bronze’, and by Jasper Griffin as a man ‘one would like to have as a friend’. In his long career he has written on many subjects: scholarly articles on the heroes of Attic drama in its golden age, unsentimental ...

At Tate Britain

Peter Campbell: Howard Hodgkin, 6 July 2006

... Britain (until 17 September) there are writings, culled from various sources, by Julian Barnes, James Fenton, Susan Sontag, William Boyd, Bruce Chatwin, Bruce Bernard and Colm Tóibín (Barnes has also made a loan to the exhibition). Some are affectionately biographical. Comparisons between Hodgkin’s art of memory and Proust’s are made.* The pleasure ...

At the V&A

Peter Campbell: Quilts, 22 April 2010

... commentary is not new. The patchwork made in his spare time in the decade between 1842 and 1852 by James Williams, a Welsh tailor, shows Cain and Abel, Noah and his ark and no end of animals. It also applauds modern engineering with representations of the Menai suspension bridge and the Cefn viaduct. There are patriotic and religious quilts which would elevate ...

At the Wallace Collection

Peter Campbell: Osbert Lancaster’s Promontory, 25 September 2008

... of Osbert Lancaster’s drawings, cartoons, illustrations and set and costume designs, selected by James Knox, will begin at the Wallace Collection on 2 October. Lancaster was a short man with a big head, strikingly large blue eyes, a curled moustache and a dandy’s taste for very good, but emphatic clothes (pink shirts, bow ties). He surveyed English society ...

At the National Gallery

Peter Campbell: Copying the Masters, 24 May 2007

... the sometimes charming young lady painters.’ Du Maurier offered the plot of Trilby to Henry James, who didn’t take it up but who had, in The American, already noted the same class of Louvre lady painter: Christopher Newman looked ‘not only at all the pictures, but at all the copies that were going forward around them, in the hands of those ...

At Tate Britain

Peter Campbell: Gainsborough, 28 November 2002

... actual motion, and done with such light airy facility. Oh! it delighted me when I saw it,’ James Northcote, a pupil of Reynolds, said, having watched Gainsborough at work on Queen Charlotte’s drapery.But these accounts of his later practice are irrelevant to the pictures one turns to first: those crisp, bright, freshly coloured group portraits in ...

Four Walls

Peter Campbell, 20 April 1989

Living Space: In Fact and Fiction 
by Philippa Tristram.
Routledge, 306 pp., £40, January 1989, 0 415 01279 1
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Building Domestic Liberty 
by Polly Wynn Allen.
Massachusetts, 195 pp., £16.70, December 1988, 9780870236273
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Borderland: Origins of the American Suburb, 1820-1939 
by John Stilgoe.
Yale, 353 pp., £25, February 1989, 0 300 04257 4
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... to a plan which has been turned through 45 degrees – became fashionable. Some architects (James Sterling, for example) presented schemes using axonometrics which complicate things further by showing structures from below. Post-Modernism has changed all that and perspectives are once again respectable. Paintings, rather in the manner of Canaletto, by ...

Eating people is right

Paul Delany, 21 February 1985

Modern Times 
by Peter York.
Heinemann, 128 pp., £7.95, October 1984, 0 434 89260 2
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Face Value: The Politics of Beauty 
by Robin Tolmach Lakoff and Raquel Scherr.
Routledge, 312 pp., £12.95, November 1984, 0 7100 9742 5
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... The Sloane Ranger style, Peter York has told us, reflects ‘a state of mind that’s eternal’. This may be putting it a bit strongly: but the Sloane ancestry goes back at least to the days when knighthood was in flower and one really needed a pony. Like British trade unions, Sloanes have deep roots as a defensively-organised collective, and ‘What Really Matters’ to them may well matter differently, or not matter at all, to everyone else ...

Hew their bones in sunder

Eamon Duffy: Lancelot Andrewes, 3 August 2006

Lancelot Andrewes: Selected Sermons and Lectures 
edited by Peter McCullough.
Oxford, 491 pp., £90, November 2005, 0 19 818774 2
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... from Andrewes’s sermon on the role of the Magi in the Nativity story, preached at the court of James I at Christmas 1622, was to be incorporated virtually word for word into the opening lines of the 1927 poem ‘The Journey of the Magi’: ‘A cold coming they had of it, at this time of the yeare; just the worst time of the yeare . . . the waies ...

Grieve not, but try again

N.A.M. Rodger: Submarines, 22 September 2016

The Silent Deep: The Royal Navy Submarine Service since 1945 
by Peter Hennessy and James Jinks.
Allen Lane, 823 pp., £12.99, June 2016, 978 1 84614 580 3
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... Russian submarines into defensive ‘bastions’ in home waters under the ice. In The Silent Deep, Peter Hennessy and James Jinks recount the history of the Royal Navy Submarine Service since 1945. Naval history as such is a new departure for Hennessy, but in his extensive writings on politics and society, nuclear power and ...

Voyagers

James Paradis, 18 June 1981

Sir Joseph Banks 
by Charles Lyte.
David and Charles, 248 pp., £10.50, October 1980, 0 7153 7884 8
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The Heyday of Natural History: 1820-1870 
by Lynn Barber.
Cape, 320 pp., £9.50, October 1980, 9780224014489
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A Vision of Eden 
by Marianne North.
Webb and Bower, 240 pp., £8.95, October 1980, 0 906671 18 3
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... in 1788 around Linnaeus’s remarkable botanical collection, which was purchased for £1000 by James Edward Smith in 1783 and brought to London over the protest of all Swedish science. By the beginning of the Victorian era, the amateur tradition of the country naturalist and nature-appreciator – a tradition given great dignity and prestige by Gilbert ...

Most people think birds just go pi-pi-pi

James Fletcher, 4 April 1996

The Messiaen Companion 
edited by Peter Hill.
Faber, 581 pp., £40, March 1995, 0 571 17033 1
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Olivier Messiaen: Music and Colour. Conversations with Claude Samuel 
translated by Thomas Glasow.
Amadeus, 296 pp., $29.95, May 1994, 0 931340 67 5
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... circumstances – and Messiaen’s widow, the pianist Yvonne Loriod, remarks in an interview with Peter Hill that he was locked in a wash-house all day, not as a disciplinary measure, but with a supply of paper, pencils and dry bread, so that he could compose undisturbed. No one seems to have been at all concerned that he was studying the ...

Character References

Robert Taubman, 15 May 1980

The Echo Chamber 
by Gabriel Josipovici.
Harvester, 154 pp., £6.50, March 1980, 0 85527 807 2
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Birthstone 
by D.M. Thomas.
Gollancz, 160 pp., £6.50, March 1980, 0 575 02762 2
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Kingdom Come 
by Melvyn Bragg.
Secker, 352 pp., £6.50, March 1980, 0 436 06714 5
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A Gentle Occupation 
by Dirk Bogarde.
Chatto, 360 pp., £5.95, March 1980, 0 7011 2505 5
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Innocent Blood 
by P.D. James.
Faber, 276 pp., £5.95, March 1980, 0 571 11566 7
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... This is Steve. This is Miss Lear. This is Remus and this is Caterina.’ She paused. ‘This is Peter,’ she said. Everybody laughed. One of the children threw a ball into the air and someone said something that sounded like ‘sport and game’ or ‘Fort Alane’ and everybody laughed again. The introductions at the start of The Echo Chamber perform ...

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