At the Whitney
Hal Foster: Ed Ruscha’s Hollywood Sublime, 2 September 2004
“... In the early 1950s I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath where the poor ‘Okies’ go to California with mattresses on their cars rather than stay in Oklahoma and starve. I faced a sort of black-and-white cinematic identity crisis myself in this respect … a little like trading dust for oranges ... ”