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“... authorship must surely have been collective, the planning long-term and meticulous. The killing of John F. Kennedy in Dallas in 1963, or the destruction of the Twin Towers in New York in 2001, are the two major vortices into which conspiracy theorists have been sucked in our own time, generating ever more elaborate explanations and ...”

“... Why has it taken a century to bring this about? In giving notice of her death her husband, John Walter Cross, who had married her in St George’s, Hanover Square, scarcely eight months before, alluded to her wish to be buried here. Of her many famous friends, Tennyson, Browning and Trollope would certainly have written to Dean Stanley urging it, and ...”

“... to New York in 1969, Killip was diverted for a second time, by the work of Bill Brandt, Walker Evans, August Sander and Paul Strand.He returned home, worked in his parents’ pub and began documenting a place that was still, via Dublin and Liverpool, a popular holiday destination. There are no tourists in Killip’s early images, no sign of the annual TT ...”

“... In the early 1950s I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath where the poor ‘Okies’ go to California with mattresses on their cars rather than stay in Oklahoma and starve. I faced a sort of black-and-white cinematic identity crisis myself in this respect … a little like trading dust for oranges ...”

“... the age of 14 to a London exhibition of Greek and Minoan artefacts and happened to hear Sir Arthur Evans no less, the excavator of Knossos, explain that no one had yet been able to understand the signs cut into the clay tablets that he had begun to find there at the turn of the century. Fifteen years later, Ventris knew how they must be read, having become a ...”

“... the tail end. The second generation were born in the decade 1901-11: Margaret Mead (1901), Edward Evans-Pritchard (1902), Claude Lévi-Strauss (1908), Edmund Leach (1910), Louis Dumont and Max Gluckman (1911). They were formed in the age of Hitler and Stalin, and, in the cases of France and Britain, of impending imperial decline. The last generation came to ...”

“... to literate businessmen. Sent on assignment to Alabama in 1936, with the photographer Walker Evans, to do an article on tenant farmers, he returned with unorganised pages and sections of finished prose, prose-in-the-rough, poetry, extended captions and descriptions, none of them reducible to an article in Fortune. Agee’s manuscript kept soaking up new ...”

“... At the start​ of the war, John Piper – who had made his name as an avatar of high abstraction in the mode of Braque and Mondrian, his paintings hanging among the Giacomettis and Calders in the seminal 1936 show Abstract and Concrete – was struggling to get by. His pictures weren’t really selling, and he was living on the £3 10s a week he still got from his mother ...”

“... was: ‘Gentlemen, the Times is printed – by steam.’ The year was 1814; the proprietor was John Walter II; the new technology was the Koenig steam-driven press capable of over a thousand impressions an hour, against the 250 impressions which was all the old Stanhope iron press could manage; and his tactic of secrecy and confrontation (he was frightened ...”

“... of the valley precipitated the election of the nationalist Plaid Cymru’s first MP, Gwynfor Evans, in 1966. That same year, the village of Aberfan in South Wales was partially submerged when Tip 7 at the Merthyr Vale colliery collapsed, sending a deluge of spoil from the local mines down the hillside, destroying several houses and the primary ...”

“... subversives. The fault, they claim, lies with a number of rogue officers. In Undercover, Rob Evans and Paul Lewis draw on the testimonies of activists and whistleblowers to chart the history of secret policing. Their prize source is the former undercover officer Peter Francis, who spied on minor anti-fascist and anti-racist groups in North London in the ...”

“... the excuse for Tory austerity, itself an excuse for dismantling the state. And, as Geoffrey Evans and James Tilley argue in their formidably well-evidenced The New Politics of Class, New Labour’s decision to stop talking about the ‘working-class’ marginalised millions of people.2 It isn’t that class ceased to exist, or that people ceased to ...”

“... Weight puts it in the first subheading of his introduction: ‘Amphetamines, Jean-Paul Sartre and John Lee Hooker’. Which is a nice phrase, even if it’s half-inched from an interviewee in a previous book, Jonathon Green’s flawless oral history of 1960s counterculture, Days in the Life. (In fact Green also used it as a subheading. This feels a bit ...”

“... Expressionists, Herbert Huncke plus any given Beat, all of the New York School, Bob Dylan, Nico, John Cale, Lou Reed, Malcolm McLaren, Patti Smith and Mapplethorpe, William Eggleston, and … hang on, here’s Walker Evans. And there, not exactly flitting past, goes the bulky shadow of Henry James. Tippins has embarked on ...”

“... is this, written by the man who made it?It would be hard to deliver a brief biographical sketch of John Boorman that was tidy or plausible. Yet it would be harder still to leave a reader in any doubt about his integrity, his passion and his blithe disdain for success, more radiant than gloomy. At 87, it’s his life, and he has resolved to treat it as a ...”