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“... just such a helmet looking as if he might be coming off duty from the foot of the Cross.25 July. John Schlesinger dies. The obituaries are more measured than he would have liked, the many undistinguished films he made later in life set against A Kind of Loving and Sunday, Bloody Sunday. He wasn’t by nature a journeyman film-maker taking whatever came ...”

“... and established the ‘house church’ movement. This was an influential generation: George Carey, the current Archbishop of Canterbury, led a renewed church in Durham before his elevation to a bishopric. Wonders occurred at the church I attended. I saw people shivering with ecstasies, clutching at God with their hands raised. I saw people dancing in ...”

“... seedy urban living to replace the laboured machinery of detection. The kind of murder mystery that John Peacock unravels in Attard in Retirement could in principle have been offered at any time since radio began – though Peacock, a workmanlike writer, scatters Smileyesque detail about, presumably to reassure the listener that he has not really been wasting ...”

“... panics, his horse bolts, he faints and falls and breaks his hip. When the great surgeon (‘Sir John’) who tends him reluctantly confirms that he will never be able to ride again, Sainty ‘heaved a sigh of unmistakable relief. “Ah! well, that’s a comfort, anyhow,” he said.’ From now on, Sainty’s lameness will be the useful badge of his ...”

“... girly-boy who hymned his cheap-suit backstreet bohemia over blackout power chords – as Smith’s John the Baptist. Horses betrays a love of early Kinks, Them, Who, but reframes their riffy aesthetic with studied artfulness. How much credit should go to the producer, John Cale, isn’t clear. Smith never sounded this ...”