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“... For Frank, lifestyle protest is not an option. His cellmate at work lives what appears to be an F. Scott Fitzgerald life, dissipated but attractive, sinking endless martinis with his heiress wife and friends just in from the Bahamas. Then Frank goes to this man’s home and sees the truth: the wife is ‘a sodden, ageing woman with lips forever painted in ...”

“... rather childish. ‘There is something unfinished,’ she complains, ‘about the clothes that F. Scott Fitzgerald dresses his heroines in . . . Maybe he saw it as a mark of his masculinity to leave out the details . . . Surely Zelda would have told us these things?’ That the revelation or otherwise of detail might be an artistic decision – that ...”

“... more.’ The phrase picks up old slogans from Thomas Wolfe (‘You can’t go home again’) and Scott Fitzgerald (‘“Can’t repeat the past?” he cried, incredulously. “Why, of course you can”’), but it also adds its own, Vietnam-nourished insight. Willard has changed, but home has changed too, transformed itself into an idea only other ...”

“... long predates the internet, as does the mentality and culture of fandom (he notes that F. Scott Fitzgerald was a fanatical supporter of the Princeton football team, to a point where he would call the coach to offer tactical advice, some of which may even have inspired a new tactic known as the ‘two-platoon system’ in the 1930s). But the ...”

“... he mentions ‘rackety parties’, ‘the rackety side of life’ (this in connection with Scott Fitzgerald), a ‘somewhat rackety woman’, and a character at the Oxford of Philip Larkin’s novel Jill is said to be ‘an aggressively rackety minor-public-school undergraduate’. ‘Rackety types have a link with people of the ...”

“... fumble in a greasy till’. Was it For this that all the blood was shed, For this Edward Fitzgerald died, And Robert Emmet and Wolfe Tone, All that delirium of the brave? ‘Delirium’ suggests Yeats’s usual equivocal insight; but more magnificently it celebrates the fever in the blood which was about to quicken the national pulses yet ...”

“... not foreign to her life, and Charlotte Mew has come to be cherished as ‘neglected’. Penelope Fitzgerald makes it clear that she doesn’t think this means Mew has to be considered a genius, and that the disregard she has suffered was not due to lack of support in her lifetime. She has written a good book about her: one which is firm, sometimes quite ...”

“... of 1920s highlife: fancy dress balls, beach huts and swimsuits, cocktails and jazz – at times Scott Fitzgerald is staying at the hotel down the road. Paul Rosenberg, Picasso’s canny, conservative dealer, backs up the big spending, encouraging him to trot out easy-on-the-eye charmers to keep Olga in Chanel couture. Not long after the return to ...”

“... directly or indirectly, Virginia Woolf, Socrates, Diogenes, Spinoza, Aldous Huxley, Kierkegaard, Scott Fitzgerald, Proust, Kafka, Theodore Roethke and, repeatedly, Henry James. By coincidence, the theme that holds the novel together is introduced on the opening page through Frank’s powerful identification with a murder victim in a newspaper. The ...”

“... unfortunate enough to have been appointed private secretary to the bizarre Lord Northcliffe. C.K. Scott-Moncrieff had been keeping up with the books that were being read in Paris, and had been led by the Goncourt prize to Marcel Proust. Indeed, he had already written to J.C. Squire, that hub of the literary journalistic world, to see if he couldn’t now make ...”

“... and she read a great deal, including movie magazines. Burke points to the influence on her of Scott Fitzgerald and Anita Loos – and she does seem to have modelled herself, if not on Lorelei Lee, certainly on Jordan Baker (neutral first name included), whom Nick Carraway describes as wearing her evening dresses as if they were tennis outfits.It’s ...”

“... Buchanan is nervous about other upstarts rising out of nowhere to challenge the master race. Scott Fitzgerald based Goddard, at least partly, on Theodore Lothrop Stoddard, the author of the bestseller The Rising Tide of Color against White World Supremacy (1920). Stoddard’s fame was a sign of his times, of the overheated racial climate of the ...”

“... Hardy, Dickens, Camus, George Eliot, Hemingway, Henry Miller, Lawrence Durrell, D.H. Lawrence, Scott Fitzgerald, Keats, Byron, Auden, Pound, T.S. Eliot … At 16 I was a chain-reader, on a steady three library books a day when not in school, but my style of reading remained much as it was in my Enid Blyton period. I sucked and sucked at books for the ...”

“... of professional critics, who are favoured: V.S. Naipaul, Nadine Gordimer, David Storey, Paul Scott, Iris Murdoch, for instance. Beyond that it isn’t easy to see much significance in the list – perhaps there’s a nostalgia for the old Empire (Scott, J.G. Farrell, Ruth Prawer Jhabvala, plus Nadine ...”

“... seem to her out of proportion – by Lona Mosk Packer (obsessed with the idea that William Bell Scott was Christina’s lover), Maureen Duffy (engrossed in the phallic symbolism of ‘The Goblin Market’), Maurice Bowra, Virginia Woolf. She has, of course, her own explanation. She sees Christina as a warm-blooded Italian conforming through strength of will ...”